A screenplay written way back in 1997. As I have not had the time to rework it, I think it is poor in construction, treatment, grammar and spelling but nonetheless still believe it is a subject worthy of this site. My apologies for the non-standard formatting, an imposition of my beggarly knowledge of html.
FADE IN:
INT. AN IMPOSING DRAWING ROOM - NIGHT
CAPTION: NOVEMBER 2062
VOICE (V.O)
In the second decade of the twenty
first century, after the day of
poison, human population, within
one month, fell to an estimated
550 million. It took ten years to
dispose of the dead. It took twelve
years for order to be reestablished
in Europe and the States.
But the stability was immature. By
2032, this fledgling, utopian world,
out of economic necessity, was
classifying people as either inferior
or superior. Supporters called it
natural law though others called it by
an older name - slavery. Although not
legal everywhere, it became commonplace
for its ability to solve difficult
social and financial problems. After
2040, what began as servants, later
became poorly paid labour then “labour
to exist” or slaves. Slaves chose
this route by applying for an A of S.
An Acceptance of Slavery contract.
Then they were able to be legally
bought and sold. A slave can be
granted a D and F - Deliverance of
Freedom at any time. Reasons for
choosing this way of life are many
but laziness, old age or disability
are some. Most slaves are treated and
fed well and many are happy with their
lives.
Two, middle-aged women, LILITH and VIPER play chess on the tattooed back of DOG, a man in his forties. He only wears a short leather skirt and a collar and a lead and is on his hands and knees between the two women.
Next to Lilith is a dog called PATTY which she strokes.
In a dark corner is an old woman, HOLLY who sleeps. At her feet sits BIRK, an old semi-naked man.
LILITH
Do you still want that bible?
VIPER
Yes.
LILITH
Is this a getting older thing?
VIPER
Who knows?
Viper taps the head of Dog.
VIPER (cont)
Keep still!
DOG
Sorry Mistress Viper.
LILITH
Keep your back straight. . .level.
DOG
Yes Mistress Lilith. Sorry Mistress
Lilith.
LILITH
Sorry won’t be a word I use if you
tip the pieces over.
DOG
Yes Mistress Lilith. Sorry Mistress
Lilith.
VIPER
He’s fading you know.
Lilith smears Dog’s tattoo of the chessboard.
LILITH
Yes. Let’s call in Ouch and get it
reworked. Dog? When was this done?
DOG
About fourteen years ago Mistress
Lilith.
VIPER
Perhaps in different colours this
time?
LILITH
Red and blue!
VIPER
Yellow and green!
LILITH
We’re have you looking like a circus
Dog. You’re be the most colourfully
tattooed slave ever!
DOG
Yes Mistress Lilith.
VIPER
Actually Lil, I’m getting a headache
with all this thinking. You win anyway.
LILITH
Shall we go to Complex?
VIPER
See you in there.
LILITH
Dog, feed Patty and make sure the
room is prepared for tomorrow.
The women leave Dog to shake off the chess pieces and gather them up. As he walks away, holding Patty, he rubs his back.
INT. A DARKENED ROOM - NIGHT
Viper joins Lilith before a short metal tower.
VIPER
Hi Complex.
(To Lilith)
Are you on?
LILITH
Not yet. It’s busy tonight. Oh,
here we go. Quick.
The women lay back in comfortable chairs and several bright lights strike them. Within seconds their eyes close and they both gasp in delight.
INT. LARGE KITCHEN - NIGHT
Dog joins two young woman, PILL and POT and prepares Patty’s food.
DOG
Hi Pill. Hi Pot.
Patty sits obediently at his feet watching him.
PILL
She only loves you because you feed
her.
DOG
That’s not true is it Patty? Nooo!
Dog holds up a scrap of meat.
DOG
What do you do Patty? Beg! Go on!
POT
If she catches you doing that, she’ll
whack you stupid.
Patty begs.
DOG
There. Good girl!
The meat is dropped and Patty pounces on it.
DOG
I’ve seen her angry before and I’ve
survived.
PILL
What are they doing?
DOG
Railing. They’re be on for the rest
of the night. About time you two
disappeared isn't’t it?
POT
Not tonight. Extra cooking for
the weekend.
DOG
Going well?
PILL
Of course.
POT
Are they bringing in more help?
DOG
Not paid. Just more slaves. Twenty
I think and not all to serve food.
They’re arriving tomorrow morning.
POT
They’re not using this kitchen. I’m
not having twenty sweaty slaves in
here.
DOG
No, they’re being chained in one of
the barns.
PILL
That’s all right then. But whose
going to feed them?
DOG
An arrangement has been made with an
over Mistress. She’s called The
Predator and she’s feeding them.
PILL
God! I’m keeping out of her way.
Dog, you must be insane. Why don’t
you get your D and F and start afresh?
DOG
Because I have no where else to go.
PILL
So? Nor do millions of others but they
haven’t sold their flesh.
DOG
They wouldn't know what to do without
me.
POT
Oh yeah? Do you know what they’d do
if you left? They’d get another slave.
DOG
They wouldn’t. I’ll see you in the
morning.
INT. A SMALL BEDROOM - NIGHT.
Dog stares at the stars while smoking. A little way off, giant propellers catch the wind. An airship buzzes overhead and his eyes follow it.
DOG
Freedom.
Dog closes the window and from behind a scrap of wallpaper, he pulls out a green note pad from which he takes a faded photograph of a Viper as a younger woman. He kisses it and writes.
DOG
Goodnight Mistress Viper.
Dog chains himself to his own bed and switches off his light.
INT. AN IMPOSING DRAWING ROOM - DAY
Lilith, Viper, AGGY and FELL, two more middle-aged women, are taking tea. Dog and three other male slaves stand nearby.
AGGY
So darling, how is your mother?
LILITH
Surviving. The old thing barks orders
from time to time but we don’t pay
notice.
FELL
My boy here called last week
He noticed her gazing out from
one of the towers.
VIPER
Yes, that’s Mother. She’s taken to
look at the woods a lot. I’m having
a guard rail put up.
AGGY
Darling, this tea is exquisite. It
has a flavour quite unknown to me.
LILITH
One of the boys in the village
puts it together. I’ll tell him
to grow you a bag. I call it memorize.
It’s rather expensive but you
always get what you pay for.
AGGY
How quaint but please don’t bother
Lilith. I have so many teas already.
Now, I do so enjoy our Wednesdays
together. It’s never the same when
using Complex, no matter how good
they get it.
VIPER
Oh, you are so right. It has its
uses but I’m old fashioned. I like
to talk face to face. You can’t beat
reality.
Fell snaps her fingers and a TALL MALE SLAVE steps forward and lights a cigarette for her.
AGGY
Why don’t you want your own slave
Lilith?
LILITH
Too much bother looking after them.
I guess I’m too independent. I like
to do things for myself.
AGGY
How quaint.
LILITH
Besides I have my fun.
Lilith nods her head and Dog steps forward.
LILITH
Piss in that plant pot.
VIPER
He will not! That’s my favourite
cactus.
The woman laugh cruelly.
VIPER
He’s my slave. This cup then.
Viper holds it underneath him.
LILITH
(to Dog)
Now would be a good time.
Dog lifts up his leather skirt and fills the cup. The women are delighted.
VIPER
Don’t overfill it! If you piss on
my hand that will be the end for
you. There! Take the cup now.
LILITH
You see ladies, and I don’t have
to worry about procedures or policies.
FELL
You haven’t proved anything Lilith.
Just that you’re a bit mean with
money!
VIPER
I’ve a new trick. Watch. Dog?
Dog steps forward again and kneels. Viper picks up Patty and places her next to Dog then picks up some cake and tosses it on the floor.
VIPER
Go on! Eat it up!
Both Dog and Patty scrabble to eat the cake. The dog wins and Lilith places her foot underneath Dog’s chin.
LILITH
Lucky for you she won Dog.
DOG
Yes Mistress.
A CRY from another part of the house.
VIPER
Ladies, Please stay. That’s mother.
I’ll have to go. Lilith?
LILITH
Your turn. Off you go. Just
follow the string she has tied
around your ankle.
EX. A FIELD - DAY
Lilith and Viper are racing each other in chariots each pulled by 5 men and 5 women. Both women are screaming fanatically as they move towards a finishing line. Dog waves a flag when Viper flies past first.
VIPER
Yes! Whooh, whooh!
Both chariots come to a halt and everyone is breathless.
LILITH
That wasn't fair. You got the fittest
ones. I want a rerun.
A groan ripples around the slaves.
LILITH
Shut up or I’ll take my whip to
you. Line up on your knees scum.
I suggest you keep quiet or the
next five days will be more painful
than you think they are going to be.
The slaves kneel in the thick mud shivering, heads bowed. Lilith and Viper inspect each one. They stop at one MALE SLAVE.
VIPER
What is your name?
MALE SLAVE
Slave Cowper Mistress.
Viper’s riding crop caresses the man’s neck and snaps her fingers. Dog steps forward.
VIPER
I see. All of you. This is Dog.
He will show you where you will
sleep. You will follow him without
talking. Go. Dog, ask Mistress
Predator to join us after she has
rested.
DOG
Yes Mistress Viper.
A SHOUT comes from a way off and a POLICEMAN cycles over to them.
POLICEMAN
Good morning Miss Lilith, Miss
Viper. You know why I’m here.
LILITH
Go on. Get it over with then.
The policeman steps over to the slaves with a recording device and approaches a TALL SLAVE.
POLICEMAN
Are you here by your free will?
TALL SLAVE
I am sir.
POLICEMAN
What is your name?
TALL SLAVE
Slave Baxter B sir.
The policeman moves on to the next who is a WOMAN.
POLICEMAN
Are you here by your free will?
WOMAN
I am sir.
POLICEMAN
What is your name?
WOMAN
Slave Bug sir.
POLICEMAN
The names you people have! Aren't
you cold?
WOMAN
Yes sir.
The Policeman moves to the next.
VIPER
Officer? We’ll be at the house if
you need us. Please remember there’s
something warm for you in the kitchen.
POLICEMAN
Yes madam. Thank you for your
co-operation. I must follow through
the complaints. They were seen and
this is not exactly slavery country
as I’m sure you are aware.
LILITH
I’ll make sure it does not happen
again officer.
Lilith and Viper leave.
VIPER
You are a dirty old woman Lil. You’re
old enough to be that Cowper’s
grandmother.
LILITH
And you wouldn’t?
The two women eye each other before smiling. Joining arms they walk back to the main house.
LILITH
You know, this is going to be our
best birthday ever.
VIPER
We’re only fifty once.
INT. A BARN - DAY
All twenty slaves are clean and standing in a line. Each is recognisable by a number. They wear the minimum amount of clothing. PREDATOR, a tall black woman, dressed entirely in shiny leather, stands before them.
PREDATOR
My reputation is of value tonight.
I come recommended because I command
respect. And I have respect because I
wield power. If any of you becomes a
canker, if anyone fails to please the
guests, I will get personal with you.
Fifteen of you come from the actions
and I haven't had time to regulate you
yet but I will find time.
Predator steps forward and squares off against the only BLACK MAN in the slave group.
PREDATOR
How long have you been with me?
BLACK MAN
Five years Mistress Predator.
PREDATOR
(to the group)
And when he came, he thought his skin
might sway me a little, might ease the
path from free man to slave ism’t
that right?
BLACK MAN
Yes Mistress Predator, I did.
PREDATOR
And did it?
BLACK MAN
No, Mistress Predator, it didn’t.
PREDATOR
That’s right. What happened to you
slave? What did I do?
BLACK MAN
You taught me respect Mistress
Predator.
PREDATOR
Listen to the tone in his voice.
(To the black man)
Put your face on the ground.
Without hesitation, the black man drops to the floor where Predator places her boot on his face and squashes it into the mud.
PREDATOR
And I am fond of this one. I sleep
with this one. Do not let me down.
INT. A HALLWAY - NIGHT
Lilith and Viper are greeting party guests as they arrive. Men and women of all ages. Single and partnered. Some have brought their own personal slaves, both male and female. Dog stands nearby.
Predator hovers in the background and numbered slaves run from room to room fetching refreshments and taking coats.
Lilith motions to Dog and gives him a large red capsule. He moves away.
A tall broad man steps through the front door.
VIPER
Chief Inspector! Oh you said you’d come
and you have.
LILITH
Welcome Inspector.
CHIEF INSPECTOR
Ladies. A happy birthday to the
gentlest yet strictest twins I ever
knew! This is for you.
Two men in uniform step forward and offer each woman a present.
LILITH
I don’t know what to say Inspector.
CHIEF INSPECTOR
Call me Zed. My friends do.
INT. A CUPBOARD - NIGHT
Dog enters and makes himself comfortable then opens a door to reveal a mechanism. He takes the red capsule and enters it into the unit. With a release of gas, a canister fills up and Dog closes the door. He sniffs the air then waves his hand in front of his face.
INT. AN IMPOSING DRAWING ROOM - NIGHT
Lilith, Viper and their guests are drinking and socialising. Dog approaches Lilith.
DOG
It’s done Mistress.
Slaves are collecting food and serving well dressed men and women who take it without a second glance at them. Laughter is heard and wine drunk.
INT. AN IMPOSING DRAWING ROOM - NIGHT
Many guests are staggering slightly and becoming loud. Slaves are being humiliated and degraded in many different ways. Viper has a slave by a chain and drags him away while Dog watches her.
CHIEF INSPECTOR
Is that Smoky Zest I smell?
LILITH
Damn! You can smell it? It’s
supposed to be pure.
CHIEF INSPECTOR
I’ve a nose. Where did you get it?
LILITH
Now Inspector. . .
CHIEF INSPECTOR
Okay but next time call me and I’ll
get you some that’s cleaner.
LILITH
Our number one got it actually. Where
is he?
DOG
I’m here Mistress Lilith.
LILITH
We can smell it! Next time we go into
Gafbel, you’re get my credit back.
DOG
Yes Mistress Lilith, Sorry Mistress
Lilith.
PREDATOR
To the dungeon everyone. Let’s put
these dogs and bitches through their
paces!
INT. A DUNGEON - NIGHT
MONTAGE:
Visitors pour in and within minutes, the room is transformed by the bodies of slaves being beaten, whipped and humiliated. Wine is poured, drugs are smoked and sex begins.
The house becomes alive with debauchery. Dog and Patty are made to chase after the same piece of meat. There are chariot races around the grounds in the dark.
The cries of humans blend with loud music and Viper smacks slave Cowper as he thrusts energetically in and out of her.
Five women drag two naked male slaves into the kitchen and smear them with food. As Pill and Pot retreat into the corner and pretend to work, the women devour the men like lions.
Several men drag a women slave away into a room.
END MONTAGE:
INT. A CUPBOARD - NIGHT
From the cupboard, the gas HISSES then stops.
INT. A DINING ROOM - DAY
Dog is serving Lilith and Viper breakfast. Both have dark glasses on.
Dog ‘chinks’ a cup and gets frowned at.
DOG
Sorry Mistress.
VIPER
God! Fifty! Was it worth it?
LILITH
Best bloody party I’ve had for a
long time.
VIPER
It was good wasn’t it? The Zest worked
didn’t it? Cowper had the cutest
bottom. I’ve still got him chained
to the bed!
LILITH
Hey you!
DOG
Yes Mistress Lilith?
LILITH
I haven’t forgotten about your
buying of the Zest.
DOG
Yes Mistress. I’m sorry Mistress.
VIPER
About what?
LILITH
I’ll tell you later.
Pill enters.
PILL
Your doctor Madam.
Viper takes the call from a mobile unit on the table then frowns.
VIPER
Christ! He says we have to be checked
because we’re fifty!
LILITH
That can’t be right. I thought it took
about a month for that to happen.
VIPER
I’m in at eleven and you at eleven
thirty.
LILITH
Today? Dog? You’re sort that Smoky
Zest out.
DOG
Yes Mistress Lilith.
VIPER
Where’s that manic, Predator?
DOG
Sleeping Mistress Viper.
LILITH
She did a good job.
VIPER
You randy bitch! Well, she should have.
She cost enough. Dog. Get the rest of
her herd up, get them clean and set
them to work. I want to see this place
sparkling when we get home.
DOG
Yes Mistress Viper.
INT. A BEDROOM - DAY
Birk enters and serves breakfast to Holly.
BIRK
That’s it Mistress, up a little
more. It’s your favourite.
HOLLY
Thank God that music has stopped.
BIRK
Yes Mistress. All the guests have
gone.
HOLLY
I bet the slaves are still here
though. My daughters will squeeze
the most out of them. When I was fifty
years old I was still burying and
burning.
BIRK
Yes Mistress.
HOLLY
Prepare a bath.
Birk leaves and Lilith knocks and enters.
LILITH
Hello Mother.
HOLLY
It was too noisy last night. I couldn’t
sleep.
LILITH
Didn’t Birk turn on the shielding?
HOLLY
Of course he did but it was too
loud.
LILITH
Mother, don’t complain, it’s not
every day we have a party.
HOLLY
And that stink came up through
the floor. Evil stuff!
LILITH
I’m sorry about the smell. It was
supposed to be pure but. . .
HOLLY
I don’t know why you needed it.
LILITH
Mother, in your day you had alcohol.
Today we have Smoky Zest. Didn’t
your mother complain about you when
you were young?
HOLLY
You aren't young and if it wasn’t
for me you wouldn’t be this age now.
LILITH
I don’t want to hear the story again
mother. We’re off to the village.
Do you require anything?
HOLLY
Buy a shovel and I’ll show you where
I buried him.
LILITH
I’m going now mother. Goodbye.
HOLLY
I can still smell the Zest.
LILITH
As it has a half life of thirty minutes
I very much doubt that.
Lilith leaves.
HOLLY
(shouting)
Birk? Get me out of this coffin. I’m not
dead yet.
EX. A PATH ALONGSIDE THE STABLES - DAY
Leaves are falling. Lilith meets Viper and they stroll to the stables. Dog is grooming a horse. There is the SOUND of laughter and they catch him blowing a kiss to someone.
LILITH
Dog? Who’s in the stable?
DOG
Oh!
VIPER
You, in there, come out.
FLORRY, a woman in her forties edges into the sunshine.
LILITH
Florry? Are you interested in Dog?
Florry drops to her knees and holds up a small screen.
FLORRY
I’m so sorry Mistress. I shouldn’t
be here but I’ve just bought a list
of the things Pill and Pot need
for the coming week.
LILITH
You never answered me. Are you?
FLORRY
I, I do like him Mistress.
LILITH
Well goodbye to sense!
VIPER
You know the rules Florry.
FLORRY
Yes Mistress. I’m sorry.
VIPER
So you should be. Fraternizing with
my personal slave! Away. I’ll punish
you later.
LILITH
No wait Viper. This is wrong. He
should be punished too. They know the
rules.
VIPER
What do you suggest?
LILITH
(to Dog)
Come here.
Dog drops to his knees and kneels before Lilith.
LILITH
Blowing kisses ah? Well, kiss the
horse.
Dog stands and holds the head of the horse so their noses touch.
Lilith brings her cane down across his shoulders.
LILITH
I won’t tell you again.
Dog kisses the horse’s mouth.
LILITH
Use your tongue! Harder. Get it’s
mouth open. That’s it. It’s the
only female you’re likely to kiss
while I’m alive.
Viper and Florry look away in disgust as Dog suddenly vomits. Lilith and Viper climb aboard their landau. Dog recovers, straps himself into a harness and they move off.
VIPER
You’ve got a streak of dad in you.
LILITH
For goodness sake Lilith. He’s been
with us for twenty five years. He
should know by now.
VIPER
I expect it was innocent.
LILITH
At their age? What do you think?
Nine months from now and there will
be another mouth to feed.
VIPER
You’re just jealous because you
never had a child.
LILITH
Viper, I love you as a sister loves a
sister but sometimes I want to slap
you hard.
EX. A VERANDA - NIGHT
Lilith joins Holly.
LILITH
Evening Mother, did you enjoy dinner?
HOLLY
Are Pill and Pot related?
LILITH
I don’t think so. Why?
HOLLY
Their food tastes the same. Was that
chicken we had?
LILITH
I’m sorry about the party. I’ll get the
shielding adjusted.
HOLLY
I had bad dreams.
LILITH
(angrily)
I’ve told you Mother. Put the cleanser
on and you won’t dream.
HOLLY
I was thinking of having him dug up
and buried properly.
LILITH
Mum, stop. It was 35 years ago. There’s
probably nothing left of him. Let the
bastard go.
HOLLY
I still dream about him though.
LILITH
Then use the bloody cleanser.
HOLLY
That doesn’t make it go away and you
know it.
LILITH
You should erase him from memory.
I’ve forgotten the things he did.
HOLLY
No you haven’t Lilith. No you haven't
at all. There’s a rotten streak a
kilometer long running through you. I
heard what happened at the stables.
LILITH
He deserved it and got off lightly.
Dad would have skinned him.
HOLLY
Your dad was a very cruel man. . .
LILITH
I know! Why are we having this
conversation Mother?
HOLLY
Because I hear and see things which
sicken even me. I know what you do
Lilith.
LILITH
This is rich. From the woman who
once had fifty slaves beaten because
an apple went missing! Have you
had your medicine?
HOLLY
Your father loved you more than
Viper you know.
LILITH
And don’t you think I’ve worked
that out over the years? Don’t you
think I know that? When you smashed
his head in that night and we dropped
him into that pit, dug by Birk, by
the way, how glad do you think I was?
HOLLY
We were all glad.
LILITH
Not as glad as me.
HOLLY
It still troubles me that he’s down
there.
LILITH
And he can stay down there because he
isn't coming up while I’m alive.
INT. AN IMPOSING DRAWING ROOM - NIGHT
Viper sits with her feet up using Dog as a stool. She is speaking into a phone.
VIPER
Thank you Tim. Yes, I’ll tell her.
No, she’s always been the same.
Okay and thanks.
(to Dog)
That was the doctor. We are well.
DOG
That’s good news Mistress.
VIPER
Whatever came over you this morning?
DOG
I’m so sorry Mistress. It just happened.
The sun was shinning and she looked
nice and I just forgot myself.
VIPER
Well, Lilith’s not going to forget.
She’s been told to visit her at
nine tonight and she ism’t in one of
her best moods.
DOG
It wasn’t her fault Mistress. Shall I
go and tell the Mistress that?
VIPER
Dog, you would be safer here with me.
Lift up your back. You’re sagging.
DOG
Yes Mistress. She won’t hurt her
will she?
VIPER
She? She? Who’s she?
DOG
I’m sorry Mistress, I mean the Mistress
won’t hurt her will she?
VIPER
Whether she does or doesn’t is no
concern of yours. You mean nothing
to her and she means nothing to you.
Is that understood?
DOG
Yes Mistress.
INT. A LARGE BEDROOM - NIGHT
Lilith sits writing. A KNOCK sounds.
LILITH
Come.
Florry enters with her head down.
LILITH
Ah, the slut who wishes to ruin my
household. Walk to me.
Florry edges slowly forward and then kneels trembling from head to foot.
LILITH
Do you really understand what a
privilege it is to work here? In a
world where your only use is because
of what you have between your legs,
I have offered you a good position.
You eat my food well enough I fancy and
sleep in one of my beds but that’s
not enough for you.
Florry begins to cry.
LILITH
That doesn’t work with me. How long
have you been with the house?
FLORRY
Seven months Mistress.
LILITH
Seven months and you’d stick a
knife in my back if you could.
FLORRY
No Mistress! I. . .
LILITH
You will be quiet. I should give you
your D and F right now and let the
world take you. You’ve been a slave
how long?
FLORRY
Since my guardian died Mistress.
I was eighteen.
LILITH
Thirty years. You see, I know about
you. I know your cunning and willful
ways. You do know that once I give
you your D and F, you’ll find no one
else to take you in?
FLORRY
Yes Mistress. Please.
LILITH
You’re be dead within three weeks
because who’d want a screw with you?
FLORRY
I’ll do anything Mistress. Please,
I’m so sorry.
Lilith takes down a cane and swishes it about.
LILITH
Perhaps not this time then. Or
maybe if you don’t scream. Pull
down your dress.
Lilith kicks her door closed.
EX. A PATHWAY - DAY
Lilith and Viper are riding horses.
LILITH
I dealt with that slut last night.
One more chance.
VIPER
She wasn’t in the kitchen this
morning.
LILITH
No, not this morning. I’ve given her
a heap of leather to clean.
VIPER
I was thinking of giving Dog his
D and F.
LILITH
No?! It’ll kill him. Where would he
go?
VIPER
I thought we might give him a paying
job. In the grounds perhaps.
LILITH
He’s institutionalized Viper. He’d
do the same work except we’d have to
pay him. What’s brought this on?
VIPER
Last night. He was unhappy about
Florry.
LILITH
Can you hear yourself talking? Since
when did you care about what
slaves thought?
VIPER
I don’t!
LILITH
Okay! I see.
VIPER
He’s been with us for so long Lil
that I thought a little pleasure
wouldn’t go amiss. Especially at
his time of life.
LILITH
He choose his life. This isn’t
ancient Egypt. He can leave anytime
he likes.
VIPER
Now you know that’s not true. What
would he do and where would he go?
LILITH
Freedom comes with a price tag.
VIPER
Can’t you see anyone’s point of view
except yours?
LILITH
What’s there to see? He was a runaway
kid who picked up a scarf for you.
VIPER
And he was still there waiting for me
hours later when I came out. He has
been loyal from the beginning.
LILITH
I don’t know why I’m bothering to
have this conversation Viper. We both
know that you won’t let him go. We both
know that his chosen way of life is
to be subordinate to woman and we both
know that he doesn’t want to go so there.
VIPER
I think then that we should relax the
rules for him. Make her a privilege for
him.
LILITH
So he can fuck her? Over my dead body.
VIPER
What have you against that?
LILITH
Daddy laid down the rules for slaves
in this house.
VIPER
Oh and he knew best didn’t he? I expect
he was thinking of them while he was
beating mum and us senseless.
LILITH
At least you only got beaten.
A pause.
VIPER
I wish I knew where he was buried.
We could destroy the body completely.
LILITH
So she’s been chatting to you as well?
And what will happen if the Jurisdiction
find out? There’s still only the four
of us know. Mum would be put away,
our house, land and credit would
be confiscated and you and I would be
dead within three weeks.
VIPER
Yes, even if we did know I suppose it
would be hard to move with all the eyes
and ears around the place.
LILITH
That’s the most sensible thing you’ve
said all week. Now forget about Dog
as well.
VIPER
Come on Whippy Woman. race you back.
INT. AN IMPOSING DRAWING ROOM - NIGHT
Slaves are putting up Christmas decorations and a huge tree.
Lilith and Viper are relaxing.
LILITH
I do like Christmas y’know. A time
of good will and all that shit.
VIPER
It’s not the same without mum.
LILITH
Yeah. . .true.
VIPER
She wasn’t all that old.
LILITH
Yes she was. She was born in 1970.
Since the collapse, she was lucky to
have lived as long as she did. If it
were’t for her money we would have
died a long time ago too.
VIPER
But to die like that!
LILITH
Yes, that was awful. Everything
got in?
VIPER
Yes, Pill and Pot have been at it
since dawn.
LILITH
I got a card from Birk yesterday.
He’s now living with his sister. Like
I care.
VIPER
He slaved for mum for over fifty years.
Give him a break.
LILITH
Who cares about some old slave?
I don’t. I’m surprised he wrote.
Did you get one?
VIPER
I did thank you and I thought it
was very considerate of him.
LILITH
He didn’t sound considerate when
I gave him his D and F after the
funeral.
VIPER
Well what did you expect him to say?
I expected him to be grouchy.
LILITH
Grouchy! Not in my time and in front
of me.
VIPER
(smiling)
You didn’t have to give him six on
the arse though actually on site.
LILITH
Should have gave him twelve. Nice
little going away present. . .Oh
my God!
VIPER
What!
LILITH
The chief Inspector!
VIPER
What about him? Arriving at one.
LILITH
I forgot to pick up his present.
VIPER
You silly cow! Send someone.
LILITH
I can’t. Briggs will want my scan.
VIPER
Well, you’re have to go then. Dog
will take you.
LILITH
No, too slow. I’ll take Kathy.
EX. AT THE STABLE - DAY
Lilith bolts out of the stable on a horse.
LILITH
Come on girl. That’s it.
EX. A VILLAGE - DAY
Four male youths throw stones breaking windows on an abandoned house.
Lilith gallops into view and pulls up outside a shop near the youths. Tying Kathy to a bar, Lilith enters the shop and the youths move maliciously towards the horse.
INT. INSIDE A SHOP - DAY
Lilith is being served by MR. BRIGGS.
LILITH
I’m so glad I caught you Mr. Briggs.
MR.BRIGGS
Just about Miss Davonport. Just about.
It was ready yesterday and I was surprised
when you never collected it.
LILITH
I don’t know. Getting old that’s
what it is.
MR.BRIGGS
I don’t know about that.
LILITH
Flatterer! There, here’s my scan.
MR.BRIGGS
Thank you so much and a very good
Christmas to you. How are things
at the manor?
LILITH
Quiet at the moment. Having a party
tomorrow. Lots of people coming.
MR.BRIGGS
You know. I’ve never agreed with your
lifestyle Miss Davonport but you and
your sister have always acted as
ladies.
LILITH
Thank you.
MR.BRIGGS
And your mother too of course God
bless her soul.
LILITH
You’re very kind. Now I must get back
Mr. Briggs. Lots to do.
MR.BRIGGS
Of course. Merry Christmas again.
LILITH
And to you. Good bye.
EX. A VILLAGE - DAY
Outside the shop, the four youths are standing next to the horse.
LILITH
You boys. Get away from my horse.
YOUTH ONE
Piss off. I’ll touch it if I want to.
LILITH
You’re move away from her right now if
you know what’s good for you.
YOUTH ONE
What you going to do? Whack me arse?
The boys jeered and Kathy rises up a little.
LILITH
I said move away.
YOUTH TWO
You’re one of the weirdo women. Well
we aren't your slaves.
One of the youths flicks Kathy ear with his finger.
LILITH
You bloody sod. Get away.
Lilith steps towards them but they move and keep the horse between them and her.
YOUTH ONE
What are you going to do?
Lilith inspects Kathy and doesn’t see one of the youths grab her legs from under Kathy belly and she topples to the ground. She lifts herself up immediately and strikes out with her cane, smacking the youth across the face which draws blood.
A knife is brought out by YOUTH TWO.
YOUTH TWO
Get us some credit. Now or the
fucking horse gets slit.
LILITH
Leave her alone. Leave her alone.
The youth stabs the horse’s neck violently and Kathy lets out a terrible screech.
LILITH
Nooooo!
Lilith rushes forward and strikes the youth around the head several times before she collapses. The youths rifle her pockets and flee.
Mr. Briggs comes running from the shop and kneels down beside her.
LILITH
They’ve hurt Kathy Mr. Briggs. Fetch
someone.
MR.BRIGGS
Are you hurt?
LILITH
No. Please help my horse. They’ve cut
her neck. Oh God.
MR.BRIGGS
I’ll get help. Sit there.
Mr. Briggs runs back into his shop and Lilith tries to stand but falls down again. Surprised, she opens her thick coat to find it full of blood and that she has been stabbed herself.
LILITH
Oh! Oh shit!
A second later Lilith falls backwards onto the ground. The horse too, steadily lets herself down as well until the two of them are laying next to each other.
From inside the shop Mr. Briggs is SHOUTING.
MR.BRIGGS (V.O)
Hello? Hello? Send a medic quick.
No, it’s very urgent. No, it can’t
wait.
Lilith’s pale face catches the evening sun. Her breathing slows and her body shakes-then stops.
EX. A GRAVEYARD - DAY
The weather is cold and hard. Viper and her guests attend a service before an open wooden pyre.
From a chair, a crying Viper lights a match and gives it to Dog who torches the pyre. Gently, she nods. The signal for others to step forward and throw flowers into the blaze.
VIPER
My turn next Dog.
DOG
Oh no Mistress. Not you.
VIPER
What will become of you then eh?
DOG
Exactly Mistress.
VIPER
You’re look after Patty now.
DOG
Yes Mistress.
VIPER
The world’s gone very dark now Dog.
DOG
Yes Mistress.
INT. A LIVING ROOM - NIGHT
Viper sits staring at nothing. Dog enters with a glass.
DOG
Please Mistress. Just a sip.
Viper takes the drink and brings it to her mouth. She nods and Dog leaves.
INT. A BEDROOM - DAY
Viper enters quietly and closes the door behind her. Slowly she moves to a dressing table and sits at it. Gently she touches some of the things and hangs her head.
She takes a key, unlocks a box and takes papers from it.
INT. A KITCHEN - NIGHT
Viper enters and Dog kneels immediately while Pill and Pot just stop what they are doing.
DOG
Dog, come with me now.
DOG
Yes Mistress.
He runs out after her.
POT
Who’d be a slave?
PILL
Bad enough being a servant.
INT. A HALLWAY - NIGHT
Viper holds a sheet of paper and secretly looks around.
VIPER
This is a map showing where mother
buried papa.
DOG
That was a long time ago Mistress.
VIPER
I want him burnt. I want no trace.
DOG
Yes madam. May I see?
Viper gives a sheet of paper to Dog.
DOG
Pardon me Mistress but perhaps Birk
should be told. He would also know
exactly where since he dug the grave.
VIPER
Do it.
EX. A WOODED AREA - DAY
Viper sits in a chair while Birk and Dog dig.
EX. A WOODED AREA - DAY
A coffin is lifted from the ground.
VIPER
Prepare a fire. We’ll do it tonight.
EX. A WOODED AREA - NIGHT
Viper, DOG and Birk stand by a huge roaring fire. Viper spits on it.
VIPER
And that’s the end of my monster.
Dog, stay until the end and make
sure his ghost doesn’t take revenge
by burning down the bloody wood.
DOG
Yes Mistress.
She begins to walk away but stops.
VIPER
Birk?
BIRK
Yes my Mistress?
A pause.
VIPER
Thank you.
And viper walks on. Birk smiles and looks at Dog.
BIRK
Thank you Mistress.
INT. AN IMPOSING DRAWING ROOM - DAY
Dog enters and kneels before Viper.
DOG
Mistress, they’re caught the
boys who killed Mistress Lilith.
They’re not in the system.
VIPER
Better for them. If they had been
slaves, I would be up for murder.
How were they caught?
DOG
The search and replace brigade.
They’ve solved cases now that. . .
VIPER
Yes, all right Dog. We’re talking
about my dead sister. Don’t get so
exited.
DOG
I’m sorry Mistress.
VIPER
Prepare the landau. I’ll go into
the village today.
DOG
I’m so pleased Mistress. Right
away Mistress.
VIPER
You’re like an old hen Dog.
DOG
Yes Mistress.
EX. AN IMPOSING DRAWING ROOM - DAY
Viper sits impatiently waiting. Dog stands to one side. A table is laid for tea. VIPER
Messages were sent?
DOG
Oh yes, Mistress. I sent them myself.
VIPER
Then call them.
DOG
Yes Mistress.
Dog picks up a keypad and presses buttons.
VIPER
No reply Mistress.
DOG
I thought they enjoyed my tea days.
DOG
I’m so sorry Mistress.
Viper walks over to the window, then to a chess set.
VIPER
Do you play?
DOG
I’ve forgotten Mistress.
Viper sits.
VIPER
Nonsense. Kneel down opposite me.
Unhappily, Dog sits and Viper moves first.
VIPER
Your turn.
INT. AN IMPOSING DRAWING ROOM - DAY
The game continues. Viper watches him.
VIPER
Where were you going that night
at the club?
DOG
Club, Mistress?
VIPER
Don’t play dumb. You know what club.
DOG
Oh, that was a long time ago
Mistress. I think I was looking
for a place to sleep.
VIPER
That was a very gallant thing
you did.
DOG
It changed my life Mistress.
VIPER
So if I hadn’t have chosen you
what would have become of you?
What was it that you wanted to do?
DOG
I’d been drawn to the messenger
services Mistress but I never
had the qualifications.
VIPER
When did you leave school?
DOG
At twelve Mistress.
VIPER
And you never knew your father?
DOG
No Mistress. I understand that he
worked in the old city as a trader
and was wealthy but lost it all
to drink and bad judgement.
VIPER
And your family then?
DOG
All dead Mistress. Mother died alone.
VIPER
She did that to you or was that me?
Dog looks at scars on his arms.
DOG
These were her doing Mistress. They’re
old.
VIPER
In the years you’ve been with me Dog,
I’ve not treated you that badly have
I?
DOG
Oh no Mistress! You’ve always been
fare.
VIPER
Yes I have. Check mate.
DOG
Yes Mistress.
VIPER
I miss Lilith Dog. What am I to do?
DOG
I, I don’t know Mistress.
Viper wipes away a tear. A RING sounds and Dog answers it. He returns with AGGY. Viper stands, delighted.
AGGY
Oh darling, I’m so sorry I’m late.
VIPER
That’s fine Aggy, please sit. Tea?
After pouring, Dog leaves the room after being casually waved away by Viper.
INT. AN IMPOSING DRAWING ROOM - DAY
Viper is weeping openly, watching rain from the window. Dog walks in on her and stands to one side, not knowing what to do. Viper turns and cries into his arms.
VIPER
I can’t seem to get her from my mind.
She was my twin and I miss her. How
am I supposed to live without her?
Dog gently sits her down.
DOG
It will pass.
VIPER
My friends don’t visit anymore.
DOG
Perhaps they feel awkward.
VIPER
But why? How do I do this alone?
DOG
I’m sorry I cannot bring her back.
Dog offers her a cloth to wipe her face.
VIPER
I remember daddy buying slaves from
outside so we could train on them.
It’s not right, her not being here.
Like not having people like you
around. An order has been broken.
My life is ruined. In pieces.
DOG
But life will always go on here.
Mistress Lilith will always be a part
of this house and of you. You are
loved by many people.
VIPER
Oh Dog, thank you. Yes, it’s silly
but I must grieve.
Viper weeps again.
DOG
I’m so sorry Mistress.
VIPER
What?
DOG
I’m so sorry Mistress. I wish
I could help.
Suddenly Viper knocks Dog away.
VIPER
Get on your knees before me. How
dare you get so familiar.
DOG
I’m sorry Mistress.
VIPER
How dare you! Get away from me. Go
and clean a toilet or something. How
dare you try to become my equal! Crawl
away now or I will flog you.
DOG
Yes Mistress. I’m sorry Mistress.
Dog leaves and Viper cries again.
EX. A FIELD IN SPRING - DAY
Viper stops her landau, pulled by two athletic slaves. Dog trots to one side.
VIPER
This will do. Stop.
Viper steps down and Dog extends a chair for her which she sits in.
VIPER
What a glorious spring day.
She points to the slaves.
VIPER
You two. Sit there and be quiet.
Dog, lay out the picnic.
DOG
Yes Mistress.
Viper pulls out a book and begins to write in it.
EX. A FIELD IN SPRING - DAY
Viper stands and walks to a brook nearby. She is enjoying the air and the day.
But she suddenly drops like a stone and Dog runs to her side.
EX. A SMALL SURGICAL ROOM - DAY
Viper awakes and SMETT, a doctor attends to her.
SMETT
Hello Viper. How are we?
VIPER
Where the hell am I? And who are you?
SMETT
You’re at the T. P. C. hospital. I’m
Dr. Smett.
VIPER
I was in my garden. What happened?
SMETT
You collapsed. Your staff bought
you here.
VIPER
I’m alright?
SMETT
I have some ugly news Viper.
VIPER
Why did I faint?
SMETT
You take Smoky Zest I believe?
VIPER
No.
SMETT
Viper. Dog has already confirmed
that you do.
VIPER
I’ll put paid to him when I’m
out.
SMETT
I don’t think you should. He probably
saved your life.
VIPER
Okay, I take Smoky Zest. Everyone
does. It’s harmless.
SMETT
Unless he had told us, we would
not have discovered what is wrong
with you and you would still be
laying face down in the water Viper.
It is not harmless. Tests have
proved that.
VIPER
My sister and I have been taking it
since we were kids doctor. Everyone
takes it.
SMETT
And to most, it seems it is harmless
but not to all. I’m sorry Viper but
you have Piper’s Detachment Syndrome.
VIPER
Oh Jesus! How sure are you?
SMETT
You’ve been here two days and I have
run every available test.
VIPER
Where’s Dog?
SMETT
He’s outside.
VIPER
Let him in.
Dog enters.
VIPER
(to Smett)
Does he know?
SMETT
Yes.
DOG
I’m so sorry Mistress.
VIPER
So this is good. This is happy.
How long do I have?
SMETT
You have to be kept in a protective environment of course and your house
will do. If it is kept flooded with
RB, then expect a year at best.
VIPER
And at worse?
SMETT
Six months. I’m sorry.
VIPER
I want a second opinion.
SMETT
Of course you do. I will arrange it.
VIPER
Can I go home?
SMETT
Soon. I have to make the travelling
arrangements. We need to suffuse the
car with RB. Dog? Will you please
come with me?
Viper waves him away and they leave.
VIPER
So, dear sister. I’m going to meet
you sooner rather than later.
Her hands shake.
INT. A CORRIDOR - DAY
Dog and the doctor talk.
DOG
Will the RB have an effect on
the rest of us?
SMETT
Slightly. Slightly calming. You
must replace the canisters every
day Dog. It is your one priority to
keep her alive.
DOG
I don’t understand why it came on all
of a sudden.
SMETT
Piper’s Detachment Syndrome is a
complex illness Dog. Do you know
what happens?
DOG
I know your D.N.A falls apart.
SMETT
No, that’s not true. It is pulled apart
by protein molecules. Before we knew
about that, we thought it was a form
of cancer. The molecules damage the
chromosomes and there’s never any symptoms
before the body undergoes a collapse.
Dog, she has a unusual death staring
at her.
DOG
I will look after her doctor.
SMETT
There will come a time when you will
no longer be able to cope. I will
visit and provide more RB but there
is little else to do.
DOG
So the Mistress must stay indoors?
SMETT
All the time. We have forced RB into
every cell in her body. She must be
surrounded by it constantly.
DOG
And if she isn’t?
SMETT
The RB is only arresting it Dog. The
disease itself is relentless. There
is no cure. Without RB she will die
within hours. Tell all her staff to
close doors.
DOG
I’ve been with her since I’ve been
fifteen doctor.
SMETT
Very commendable but you must look
around for a new Mistress unless
you ask for your D and F.
DOG
I could never do that.
INT. A CONSERVATORY - DAY
Viper is eating. Dog stands nearby with a fork and a knife.
VIPER
Dog, I never thought I would actually
need you to serve me.
DOG
Anything I can do Mistress, I will.
VIPER
You’ve been a good slave to me. I
must say. . . Dog. Where did
that name come from?
DOG
It was the name of that man’s dog
you and Mistress Lilith saw outside
that club.
VIPER
I remember now! Yes. He slipped and
fell on some dog shit. He hit the
bloody thing and called it Dog.
DOG
And I was on the floor. . .
VIPER
. . .waiting to be whipped or
something like that. We were waiting
for a taxi and Lilith gave you a
belting and I stopped her. You were
only young. I remember now.
DOG
That’s right Mistress. Fifteen.
VIPER
And you wanted to be a slave even
at that age?
DOG
Yes Mistress.
VIPER
That was twenty five years ago Dog.
DOG
Yes Mistress.
VIPER
I can’t believe I’m asking this.
What is your real name?
DOG
It’s Paul Mistress.
VIPER
Paul? No, I can’t call you that.
Dog it’s been and Dog it will be.
DOG
Yes Mistress.
INT. DOG’S BEDROOM - NIGHT.
Dog is reading and there is a KNOCK. He opens the door to Florry and they embrace.
FLORRY
Is she asleep?
DOG
Yes, an hour ago. You look tired.
FLORRY
I’ve been on my hands and knees
all day.
DOG
So nothing’s going to change now then!
FLORRY
You are common!
DOG
I am that.
His door closes.
INT. A KITCHEN - NIGHT
Pill and Pot are working.
PILL
Are you tired?
POT
Yes. Since they’ve been pushing that
crap into the house.
PILL
I feel the same. RB may be prolonging
her life but it aren't doing much for
me.
POT
I’m having the weirdest dreams.
PILL
Oh, I’m not. Sleeping too well I
think. Out like a light. The agency
called today and asked if we were
alright. They’d heard about Viper.
POT
What did you say?
PILL
I said that the place was going to
pieces. Dog is screwing Florry. Predator
visits in the afternoon and petrifies
everybody and prevents them from doing
their duties and has warned Dog
not to tell Viper on pain of a good
thrashing. The Mistress doesn’t know
what’s happening in her own house.
Her power is ebbing away.
POT
These last three weeks have certainly
been interesting.
PILL
Would you leave?
POT
If you did. Of course I would. It’s
not going to get any better here is it?
INT. DOG’S BEDROOM - NIGHT.
Dog and Florry lay naked on his bed.
DOG
I’m sorry Florry.
FLORRY
It’s alright.
DOG
It’s been a while.
FLORRY
Was you nervous?
DOG
Embarrassed more like.
FLORRY
Was I good enough? Did I do
things right?
DOG
Florry, you were lovely and I think
that’s part of the problem.
FLORRY
I’m too good? Explain.
DOG
I’ve been a slave a long time. . .
FLORRY
You didn’t get turned on? I get it.
What shall I do? Beat you?
Dog smiles.
FLORRY (con’t)
Oh come on. I can’t do that.
DOG
I know. I’m sorry.
FLORRY
I would of thought that spending
a few hours with me treating you
nicely and equally would be welcomed.
DOG
It is Florry but it’s not what I
know.
FLORRY
Can’t you get used to it then?
Try to at least?
DOG
I’ll have to try.
FLORRY
I don’t understand. I’m a slave
myself but I don’t get hung up
like this.
DOG
You chose to be a slave.
FLORRY
And you didn’t? You’re as free
as you want to be.
DOG
I’ve been in slavery all my adult
life. It’s what I know. It’s all I
know. It’s like I don’t have a
choice anymore.
FLORRY
Oh come along! You mean if you had
the credit, you wouldn’t leave here?
DOG
No, I don’t think I would.
FLORRY
I’m very fond of you Dog. You know
that and I’m old enough to realize
that good people don’t come my way
all that often.
DOG
What are you saying?
FLORRY
If you don’t want it too hard, I’ll
beat you.
DOG
I don’t want you to beat me Florry.
FLORRY
Then what?
DOG
You could tie me up a bit.
FLORRY
What do you mean, a bit?
DOG
If I’m on my back. . . And we use
the bed posts. . .?
EX. A GARDEN - DAY
Dog wheels Viper along a path until they come to a lake. Viper is surrounded by portable machines issuing a gas.
VIPER
Stop. Here we are Dog. This is
the place.
DOG
Here Mistress? This is nice.
VIPER
Stop here. Let me sit here.
They watch birds for a while.
VIPER
A big fire. And make sure it goes
right out to the middle of the lake.
DOG
I will Mistress. I’ll make sure
everything goes perfectly.
VIPER
And make sure I’m dead first!
DOG
Oh Mistress!
VIPER
I realize that you must be thinking
about what is going to happen to you
when I’m gone but you need not worry.
DOG
Mistress Viper. I don’t want
to. . .
VIPER
You don’t want to? You don’t want
to? What are you saying now? Am
I the Mistress here or are you?
We will talk about what I want
to talk about is that clear?
DOG
Yes Mistress. I’m sorry.
VIPER
(smiling)
You think I cannot still beat you?
How dare you think like that.
Viper grasps her cane.
VIPER
Now, lift up your skirt and bend
over. Count.
Viper strikes him feebly. Dog shows no pain.
DOG
Yes Mistress. One. Two. Three.
four. Five. Six.
Breathlessly, Viper holds out the stick and Dog takes it in his mouth. Both are smiling.
VIPER
Damn cheek! Stand closer. Now,
look at the pretty lake where
I’m going to end my days.
Viper takes Dog’s hand gently and squeezes it.
INT. AN EXPENSIVE ROOM - DAY
Rain lashes against the windows. Viper and Aggy are having tea and playing chess. Dog comes in with a tray.
VIPER
And it’s going to take three days.
Do you believe that?
AGGY
My Complex went down last year. I
don’t know how I managed.
VIPER
They said by the end of the week.
DOG
Excuse me Mistress but it is
time for your shot.
AGGY
Viper? Is this how your slave
treats you? I’m astonished.
VIPER
No Aggy, I’ve told him to do it. It’s
the way my world has become.
AGGY
He might at least approach you
on his knees.
VIPER
Thank you Dog. You may go.
DOG
Thank you Mistress.
Dog leaves.
VIPER
He’s been loyal.
AGGY
I know he’s been with you a long time
but all the same. . .
VIPER
You know, I don’t think he wants to
slave anymore.
AGGY
He’s asked for his D and F?
VIPER
No, he hasn’t but he’s happier
now that I’m less strict.
AGGY
What did you say?
LILITH
I’m less harsh with him. I’ve relaxed
about him. Given him more freedom.
AGGY
Freedom!
VIPER
Don’t be so shocked Aggy. He’s
happier and I get treated better.
A phone RINGS and Viper answers it.
VIPER
Hello? That’s right. You have? That’s
brilliant. I’ll send someone.
Thank you. Good bye.
AGGY
I’m surprise Viper. You of all people.
You’re be allowing treats next.
VIPER
Well I. . .
AGGY
What? What do you allow?
VIPER
There is a slave. A woman who he’s
fond of. I said he could sleep with her.
AGGY
Viper, this is not like you.
VIPER
Well, I’m not like me. I’m fucking
dying. And I can’t hit him anymore.
That’s stupid considering what
I’ve become. What am I to do?
AGGY
Send him to me once a week. I’ll keep
his back rigid and his manners in line.
VIPER
Things are fine Aggy. In fact,
things have never been smoother.
Viper picks up and rings a hand bell. Dog enters again to a disapproving stare from Aggy.
VIPER
Mistress Aggy thinks I’m too lenient
with you Dog.
DOG
I’m sorry you think that way Mistress.
AGGY
That sounded like arrogance to me.
VIPER
Dog, I want you to go into the village,
take Florry and pick up an instrument
for Complex. They said one is ready if
we need it in a hurry. You can fix it
can you?
DOG
I can. Yes.
AGGY
I can Mistress Viper! What is this?
Now he doesn’t acknowledge you
properly?
VIPER
He does Aggy but this is more important.
Without Complex I don’t get part of my
healing.
VIPER
Tell Florry to get me some Backanack
from that little man, what’s his name?
DOG
Harry Mistress. Harry’s stores.
VIPER
That’s it. Don’t be long.
DOG
Yes Mistress. Thank you Mistress.
Dog leaves.
VIPER
What can I do Aggy? The house runs
smoother.
AGGY
I couldn’t be with that. Mine is not
seen and not heard unless I want him
to be. Like a slave should be.
VIPER
Where is yours?
AGGY
He was cheeky to me! Me! So, he’s
outside, harnessed to my landau.
VIPER
In this weather Aggy? Order him in
for pities sake.
AGGY
Pity has nothing to do with it.
Being familiar has everything
to do with it.
VIPER
Well, you know your own slave best.
More tea?
AGGY
No thanks. I’ll drink this then I’ll
get on. I have a wad to do.
EX. OUTSIDE THE HOUSE - DAY
It is raining hard and Dog and Florry pass a miserable and wet SLAVE harnessed to a landau.
FLORRY
Are you all right?
The slave barely nods and Dog pulls her by her arm.
DOG
Come on Florry. We haven’t got
permission to talk to him.
Florry allows herself to be pulled away and the men exchange brief glances.
FLORRY
She’s a cow. There’s no need.
DOG
Shush Flo. Everybody’s got ears.
FLORRY
I don’t care. She’s a cow.
EX. A ROADWAY - DAY
It is raining hard and Dog and Florry hurry along. Aggy in her landau pulls up beside them.
AGGY
You there.
Both Dog and Florry both stop to bow and curtsy.
AGGY
If you were my slaves, there would
be no fucking.
Dog and Florry look down.
AGGY
Do you hear me slaves?
DOG
Yes Mistress.
AGGY
You, skinny one, look at me.
Florry looks up.
AGGY
Not so pretty. What does he see
in you?
Florry’s face flashes the briefest of smiles. Enough to make Aggy step down from the landau and raises her cane.
AGGY
You smile at me bitch? You smile
at me?
FLORRY
I wasn’t. . .
AGGY
On your bloody knees both of you.
DOG
Mistress, I have to get. . .
AGGY
I know what you have to do Dog but six
across your back should make you run
there not spend the day strolling.
There’s always time for a beating. You,
hold up his skirt.
While Florry lifts Dog’s clothes up, Aggy, in the pouring rain, beats him six times.
AGGY
And now the reverse.
DOG
Please Mistress. . .
AGGY
Do it now.
Aggy pushes Florry against the wall and beats her while Dog holds her dress up.
AGGY
Now get back on your knees and
in the future, when I say jump
you’re jump is that clear?
DOG AND FLORRY
Yes Mistress.
AGGY
When Viper dies, I’m bidding for both
of you. I’ll stop you fucking.
Unbelievable life of luxury you lead.
I’ll put a stop to that.
Aggy cracks her whip on her slave’s shoulders and he trots off.
Dog and Florry get to their feet in the pouring rain.
INT. A STORE - DAY
Dog is being served by Harry. A woman (KAY) stands behind him.
DOG
Do you have any Backanack Harry?
HARRY
I have Dog. Came in yesterday. How
much does she want?
DOG
A kilo please. The Mistress is burning
it every night.
HARRY
Well the enhanced stuff is very
good. My wife uses it.
DOG
She’s not unwell is she?
HARRY
No! Not her, sweet thing. Says it
gives her nice dreams.
DOG
I’d better have some of that myself
them.
HARRY
Things not good?
DOG
You could say that. The future’s unclear.
HARRY
That’ll be 40. On your own today?
DOG
No. Florry’s around somewhere. Now,
I’m really here for the Complex.
HARRY
I’ll get it. One moment.
KAY
Please excuse me but I couldn’t help
overhear. Someone is ill?
DOG
Yes, my Mistress.
KAY
A kilo of Backanack is a lot.
DOG
She’s very ill, Miss. . . Or
Mistress?
KAY
Call me Kay please. Actually, I
am The Venerable Mother Kay of
The Holy Ordinance church. Perhaps
you’ve heard of us?
DOG
I’ve seen your messages on the Info
Channel but I’ve not heard of you
yourself before.
KAY
How ill is your Mistress?
DOG
Piper’s Detachment Syndrome.
KAY
Is she far gone?
DOG
Not at the moment. She’s been given
up to a year but that was three
months ago.
KAY
I can help her.
DOG
There is no cure. . .Kay was it?
KAY
There is. I know of a man called Fallow
who is living proof of a cure. Jesus
healed him. Him and some fancy
electronic fields.
DOG
I’m sorry Kay. I’m not interested.
Thank you very much but. . .
KAY
How interested will you be when you
see her skin falling off? Or when her
toilet consists of the same food which
went into her? All of it undigested?
Will you forget about this conversation
when her eyes fail or she cannot hear
you anymore and yet the doctors say
her death is still weeks away?
DOG
My Mistress is not a religious person.
She will not come to your. . .Church.
KAY
Take my card Dog. Keep it close
to you. Call me.
INT. A BREAKFAST ROOM - DAY
Dog serves Viper.
VIPER
I feel better today Dog. I think we
may go for a short ride.
DOG
Yes Mistress.
VIPER
You have nothing to say to me?
DOG
Nothing Mistress.
VIPER
Nothing about Kay?
Dog gets on his knees.
DOG
She spoke to me first Mistress. She
kept on talking to me.
VIPER
You see, I have my spies Dog. And
they are everywhere including every
room in this manor house.
DOG
Mistress?
VIPER
You should not have told her about
me. You know what these religious
fanatics are about. You will be
punished.
DOG
I’m sorry Mistress. It will never
happen again.
VIPER
You will be bloody sure it won’t
mister. Predator is coming
tomorrow to hold an auction to
cheer me up. I’ll let her deal
with you. Leave me now. I’m very
angry that you told my business
to a stranger.
Dog walks to the door when there is a CRASH. Viper’s arm is hanging down lifelessly.
DOG
Mistress! What. . .
VIPER
I can’t feel anything in my arm.
It’s dead. Oh God help me.
Dog lifts Viper up and carries her out of the room.
DOG
(shouting)
Florry, get Dr. Smett.
EX. ON A HILLSIDE - NIGHT
Dog sits under giant wind propellers. He dials a number and a small screen flashes. It is Kay on a visual phone.
KAY
I knew you’d call.
DOG
I’m going to be punished for even
talking to you.
KAY
So why are you?
DOG
My Mistress lost the use of her arm
a few hours ago. Our doctor has sedated
her and he told me this was the
beginning. I’m frightened.
KAY
That is sad and I’m sorry. Tell
me how you met.
DOG
It was outside a club. . .
KAY
No. . .No. From the beginning. Tell
me how a man like you. Strong and
intelligent wastes his life as
you have. Tell me.
DOG
I didn’t call you for a lecture.
KAY
Yes you did Dog. That is precisely
why you called. You want to hear a
lecture on why you screwed up, why
you’re not her equal and why you
continually fantasize about her when
you know she will never be yours.
Only when you have these things
clear in your mind will you want to
know how she can be cured.
DOG
How did she know we spoke together?
INT. A DARK ROOM - NIGHT
A woman in shadow watches and listens to a conversation on a phone.
KAY (V.O)
Tell me your secret Dog.
DOG (V.O)
I ran away from home when I was
fifteen. I didn’t have a father
and my mum was a drunk. When I was
young, my aunt came to stay and they
both beat me. I spent my child. . .
younger days disposing of the dead
then I fell ill. Aunt Clio found that
very amusing. To have me bed-bound.
She told me it would kill my mother
if I ever told her, so I never. One
night she visited me and bled me. I was
strong enough to leave and I did. I’ve
never seen either of them again.
I saw Mistress Viper and her sister
Lilith arrive in a carriage and I
thought she was the most beautiful
person in the world.
KAY (V.O)
That’s charming.
DOG (V.O)
Everything about her was fantastic.
She wore a pure white leather outfit
with black studs and her golden hair
seemed to shine. I ran across the road
drunk in her beauty. There was a bit of
a breeze as I remember and her scarf
got caught and I retrieved it. She took
it from me, some boneless cold kid, with
a grateful look like I’d never seen
before.
KAY (V.O)
Where were you sleeping at the time?
DOG (V.O)
On the streets.
The woman leans forward to revel that it’s Aggy.
AGGY
And you may be back there soon.
EX. ON A HILLSIDE - NIGHT
Dog sits under giant wind propellers talking to Kay on a visual phone.
KAY
So what happened?
DOG
I waited for her to come out so I
could see her again. It was bitterly
cold but I had no place else to go.
In the middle of the night, they
came out and their slaves drove
them away.
KAY
So how did you. . .?
DOG
No, that was the best part. She saw
me waiting and stopped the carriage
a little down the street. One of the
slaves shouted to me and I ran so
fast to the carriage that I nearly
broke my arm as I skidded into it. I
prostrated myself and she indicated
to me to get up which I did. She looked
me up and down and then said, follow
me. That’s all she said. Of course
it was early in the slavery system,
legally anyway and so she might have
been a bit cautious but I was fed and
I stayed on.
KAY
Now, twenty-five years later, you are
still here. Why?
DOG
I love her.
KAY
You mean you love the way she treats
you. You love to suffer? You are in
love with suffering.
DOG
I am not.
KAY
How old were you when you lost your
virginity?
DOG
Twenty, not that it’s. . .
KAY
Where?
DOG
At one of their parties.
KAY
It was not a good experience?
DOG
I was made to get drunk and told to
screw another slave.
KAY
I am not surprised.
DOG
I couldn’t do it because there were
about a hundred guests laughing at
me so they beat me until I did it.
KAY
And you were twenty?
DOG
Just a boy really. The Mistress’s
laughed the loudest I thought.
KAY
There were more than one?
DOG
Her twin sister died just before last
Christmas.
KAY
From Piper’s Detachment Syndrome?
DOG
No, she was attacked and stabbed.
KAY
Lucky her because these things
run in families but a hard end
anyway.
DOG
I’m to be punished for speaking to
you but I’ll risk anything if you
can help the Mistress. Can you?
KAY
As long as it is clear I have an
invite, I will come.
DOG
I don’t want you to come to the house!
KAY
Then she will come to the church?
DOG
No! I don’t know. Let me call again
in three days time. I will have
recovered then.
KAY
Don’t leave it too late my friend.
The Lord wants your salvation now.
The screen goes blank.
DOG
I am not your friend.
EX. A LARGE GARDEN - DAY
A bright day. Dozens of activities involving slaves, Mistress’ and Masters. There are chariot races, humiliations and beatings.
Fronting an auction is Predator. As a guest of honour, Viper is at the head of a table with Aggy to her side and Dog kneeling at Viper’s feet. Braziers burn fiercely.
AGGY
You must need more Viper? Huge house
like this?
VIPER
Twenty one is enough. All my needs
are met.
AGGY
Let me sell Florry for you. You
don’t need a leather cleaner.
VIPER
You don’t like her do you? Why?
Aggy pushes Dog’s back with the heel of her boot.
AGGY
(to Dog)
Clean it with your mouth.
(To Viper)
Because this one has to be punished.
VIPER
I have something planned for him.
It’s a secret.
AGGY
Do tell.
VIPER
I will not. Part of the agony is
making him wait.
AGGY
Delicious! Whisper then.
Viper whispers to Aggy.
AGGY
By Lord Blaspheme? God, what a tortured
engineer he is. That’s one mind I
wouldn’t like to play with.
VIPER
This wretch lied and then betrayed
me. It’s only right that he be punished
fittingly.
AGGY
(to Dog)
You are a lucky slave! A beheading!
Whoophs! Sorry!
VIPER
Aggy, you are wicked! Look at him.
Shaking all over, poor lamb.
AGGY
Lamb is right.
VIPER
But no one betrays me and remains
unpunished. I’m in a wheelchair
but I’m still in charge.
The auction starts and the party continues.
VIPER
Aren’t you bidding Aggy?
AGGY
Can’t see anything I want darling.
Bidding continues until Viper claps her hands and the garden becomes quiet.
VIPER
Thank you my guests for coming. I
hope you are delighted with your
human acquisitions. Remember to pay
for them as you leave please!
Guests laugh.
VIPER (cont)
And, of course, by law, I am obliged
to tell you under the reinforcement
act of 2035 that it is an offence not
to resister your new purchases, yawn,
yawn, yawn. . .
The guests laugh again.
VIPER (cont)
Now I want to thank the involvement of
Predator without who’s help, today's
events would not have run smoothly,
given even a thousand slaves.
Predator, for you.
Viper snaps her fingers and Florry edges forward carrying a gold cushion upon which lays a parchment which she offers up to Predator on her knees. Predator reads the parchment.
PREDATOR
I am to have my own training
foundation within these premises.
Viper, I thank you very much.
Everybody claps.
VIPER
But now I come to a moment which
I thought would never happen. A
betrayal by a slave. And not just
any slave but one which you all
know. My own personal one.
A short murmur is shared by the guests.
VIPER
Bring Lord Blasphemer's device in.
A huge trolley, covered with a tarpaulin is wheeled along and halts.
VIPER
What my slave did is unimportant to
you but unforgivable to me. What
is important is that you share this
moment as you watch him suffer. Slave
Dog, crawl forward now.
A smack from a delighted Aggy starts him off on his crawl until he is at Viper’s feet.
VIPER
Stand and take off your clothes.
Aggy whispers into Viper’s ear and Viper smiles.
VIPER
Stop. Florry, step forward. Strip him
and burn his clothes in the brazier.
Florry takes off his dress, pants and sandals and burns them.
VIPER
Dog, what you did was by far, the
worse, single thing I can ever
remember a slave doing. . .
Viper pauses. Dog looks from the floor to Viper. Concerned.
VIPER
I...I...
Viper’s eyes close and she slumps forward. Dog dashes to her side.
DOG
Please. . .A doctor?
Aggy looks at the covered up machine.
AGGY
Shit!
INT. A KITCHEN - DAY
Pill and Pot are reading.
PILL
Only 40 grams of Putter a day! That
wouldn’t keep a cat alive.
POT
They must know what they’re doing.
How much salt?
PILL
5 grams! That’s not enough.
POT
You’d think they’d be feeding her
up after last week.
PILL
Doctors. What do they know?
Dog enters.
DOG
Ready?
PILL
What there is of it Dog.
Pot gives him a tray of food and he leaves.
POT
That machine is in one of the garages.
I saw it yesterday. It gave me the
shivers. What sort of mind has Lord
Blaspheme got? How can you design
and then make something like that?
PILL
I’m glad he couldn’t make it to
the party. He’s a nutter. You know
he likes kitchen maids don’t you?
POT
I hear Aggy is doing business with
him again.
PILL
For someone with no credit, she really
knows how screw people.
POT
That’s her strength. That’s her only
strength really. Her ability to hurt
people. If she ever became nice, she’d
have to become a slave.
PILL
Now I’m not a vicious girl but that
I’d like to see.
Dog enters.
DOG
What would you like to see?
PILL
Aggy as a slave.
Dog pauses for a moment. Dreaming.
DOG
Come on. You forgot the cream! Get
it together girls.
INT. A BREAKFAST ROOM - DAY
Dog is about to enter with a jug when Viper opens the door for him.
DOG
Oh Mistress!
VIPER
That’s probably the first and last
time I’m ever going to open a door
for you Dog.
DOG
I’m so sorry Mistress. Here’s the
cream.
VIPER
I wanted to walk.
DOG
That’s good Mistress.
Viper sits and eats.
VIPER
The doctor tells me my R.C.K levels
have fallen since the auction.
DOG
That was serious Mistress.
VIPER
And I was going to punish you so
severely.
DOG
Yes Mistress. I deserved to be punished.
VIPER
Yes you do. Especially since you have
been talking to her again.
DOG
Mistress?
VIPER
So she’s a vicar then?
DOG
She said she could heal you Mistress.
She did. I’m sorry.
INT. DOG’S BEDROOM - NIGHT
Florry is asleep. Dog dials a number on his visual phone.
DOG
Kay? It’s me. She wants to see
you but she wants to meet this man
Fallow.
KAY
That’s possible.
DOG
This Sunday?
KAY
We don’t have to meet on Sunday.
Jesus can cure an illness any day
of the week.
DOG
I’ll make arrangements then.
KAY
You do that Dog.
DOG
Mistress wants to know what it
will cost.
KAY
Nothing. Does that surprise you?
DOG
Not me but it will the Mistress.
KAY
A donation will be received if
it is offered in good faith. That is
if she gets better.
DOG
The Mistress will be pleased to
hear that.
KAY
Yes, I’m sure. Like she hasn’t
got the credit. She’s the richest
woman in the south. Is Florry laying
next to you Dog?
Dog turns away from Florry.
DOG
Why do you ask that?
KAY
It’s just my interest. I’ll be frank.
I find you strangely attractive myself.
DOG
What?
KAY
You’re surprised? Well, I don’t
put it out but the Zest has got to
me tonight.
DOG
You’re burning Smoky Zest?
KAY
Yes. Don’t be surprised. Venerable
mothers need to unwind as well and
since we no longer are permitted
wine, the zest has its moments.
DOG
It was the Zest which caused Mistress’
illness to happen. You must be careful.
KAY
I am. I have God looking after me.INT/EX. KAY’S CHURCH - DAY
From across the road, Aggy secretly sees Dog pushes Viper into the church. Kay and a man, FALLOW, greet them.
KAY
Please follow me.
INT. A SMALL CHAPEL - DAY
Dog pushes Viper to a spot indicated by Kay and a large piece of electrical apparatus is lowered to within a hand’s length of her head.
KAY
Do not be afraid.
VIPER
Are you the one who was cured?
FALLOW
I am.
VIPER
Tell me then. What does this do?
Fallow looks for guidance at Kay who is looking at Dog.
KAY
Tell your story Fallow.
FALLOW
I was about to have stage six
surgery when my brother told me
about this. I’d used narcotics
most of my life, especially Smoky
Zest and thought it was cool. Last
summer, my lungs collapsed and I
was given until the end of the
year but Kay saved my life.
VIPER
It looks dangerous. Powerful.
FALLOW
It doesn’t hurt lady. Nothing
happens. It’s just a field.
KAY
Sent from Jesus.
FALLOW
It’s impossible but 36 hours
later, my R.C.K and B.J.D levels were
back to normal. I’m living proof that
there is a cure.
VIPER
Where did the church get the credit
for it?
KAY
Too many questions. Do you want
to be helped or not?
Viper hesitates but takes Dog’s hand.
INT. A LIVING ROOM - DAY
Dr. Smett is examining a paper. Viper and Dog look on expectantly. Viper indicates for Dog to sit in one of the many chairs which he surprisingly does.
DR. SMETT
This. . .is impossible. You're elevations
are a fraction above normal. What’s
happened?
EX. KAY’S CHURCH - DAY
Aggy meets Kay as she is loading up a landau.
AGGY
I say.
KAY
Hello to you. Can I help?
AGGY
My friend came here. Eh. . .I’m Aggy
and I’ve heard you’ve got a good scam
going. Healing people.
KAY
I do not scam.
AGGY
I’m a personal friend of the chief
inspector and if I ask him to inspect
then he will inspect.
KAY
I have nothing to fear from anyone.
Why are you threatening me?
AGGY
I’m just saying we could come to an
arrangement. I guess my friend paid
you a lot of credit.
KAY
Who was your friend? As if I couldn’t
guess by your clothes and weapons.
You will get nothing here.
AGGY
A place to stay then?
KAY
Ask Viper or whatever her name is.
AGGY
You don’t understand. I can’t. I’m
her friend. We are equals.
KAY
It appears that you are not. Surely
you have a home?
AGGY
Barely. It’s rather hard times.
KAY
So your friendship with Viper is
false? You’re after her credit?
AGGY
Help me and I’ll see your church well
enough after.
KAY
Oh really?
AGGY
Yes, I promise. I’ve lost everything
including my flat. Well soon anyway.
KAY
Have you seen her recently?
AGGY
Not for a few days. We are having
a tea afternoon today actually.
KAY
To which I am invited, actually. Let
us talk after this afternoon yes?
AGGY
Then you’re help me?
KAY
This afternoon.
INT A LIVING ROOM - DAY
Dog and Florry are serving tea to Viper, Aggy, Fell and Kay.
VIPER
I expect the slave part of our
society astonishes you Kay.
KAY
Well, you are right. In the States
no such system exists. When it died
out, a few hundred years ago, believe
me, it died out. No one wanted it
reinstated.
FELL
But there is a difference isn’t there?
Our slaves can leave by D and F.
KAY
Yes, your form is a soft version of
what we had but, even so, it is
similar.
AGGY
Slaves are slaves. What’s the
difference?
KAY
It’s more of a game here made more so
because they can leave anytime they
want. It feels more sexual and less
business-like.
AGGY
Then you’ve never had sex with a man
while you have complete control
over him?
KAY
Never.
VIPER
Would you like to? Dog is available.
but I forget, you’re a vicar.
KAY
I do not abstain from sex.
FELL
Lucky old vicar! I have thirty and
six of those I keep for only one
purpose.
VIPER
And two of them are women!
FELL
And two of them are women yes. I
like a change now and then!
KAY
You are better aren't you Viper?
VIPER
My levels are back to normal which
my doctor cannot explain and I am
breathing normally. I’m awaiting
the results of a conform test but it’s
the way I feel. . . I feel, better.
Cured.
AGGY
Kay did this for you?
VIPER
Something did it! I don’t know what.
KAY
Maybe it was Jesus.
AGGY
Jesus my arse! Nothing can cure P.D.S.
VIPER
But I am better Aggy. Look at me.
FELL
Well I don’t know but you look great
Viper even if it’s just in remission
or something. You ought to celebrate.
Have a party or something.
VIPER
Yes. A party! A get well party.
Dog?
DOG
Yes Mistress?
VIPER
Make arrangements for the third.
I will have my results by then.
DOG
Yes Mistress.
VIPER
You’re come Kay?
KAY
I’m not sure.
AGGY
You won’t be forced to have sex
with anyone.
KAY
I’ll come and I’ll have sex with
Dog.
Both Dog and Florry look at each other.
VIPER
That’s my girl!
AGGY
That will upset his little bitch.
INT. A PARTY - NIGHT
A party is in full swing. Viper calls Dog over and gives him a capsule.
VIPER
The usual Dog.
DOG
Mistress? Is this Smoky Zest?
VIPER
What else?
DOG
Mistress?
VIPER
And your concern in this matter
amounts to what?
DOG
Oh Mistress!
VIPER
Don’t be a baby. I’m cured. I’ve
got the result.
DOG
But miss...
Viper suddenly swipes him on his back with her cane.
VIPER
I cannot believe you are arguing
with me. Just do as I say.
DOG
I cannot Mistress.
VIPER
I will personally invite every
woman here to beat you well if you
don’t do what I want right now.
DOG
The burner’s been destroyed Mistress.
That’s why I can’t do it.
VIPER
Oh. Well, find some alcohol and
burn it that way. Use your sense
but just do it.
DOG
Yes Mistress.
INT THE KITCHEN - NIGHT
Many of the guests are drugged or drunk. Viper is showing Kay how to tie a knot.
VIPER
Then under you see and they can’t
get out of that no matter what.
Dog enters.
VIPER
Ah Dog. Come here. And put your
hands out and your feet together.
DOG
I was just. . .
VIPER
I can’t believe this. Why are
you so disobedient tonight?
DOG
I’m sorry Mistress.
VIPER
Now Kay, you try. That’s it. Round
it goes and comes up the other side.
No, no. Too loose. Did you want
sex with this one? You said you
did remember?
KAY
I do. Is that the Zest?
VIPER
Probably. And you want power over
him? Do you want to take him?
KAY
Yeah. I do.
VIPER
In there, behind that door is a
small room. It’s private. Enjoy.
Viper hands Kay Dog’s lead which she takes and leads Dog over to the room.
VIPER
Another convert! And a vicar as well.
I am good!
INT. A SMALL PRIVATE ROOM - NIGHT
Dog is pulled into the room by Kay. It is a laundry room dominated by a huge table.
KAY
Get undressed and lay on that table.
Dog obeys but looks elsewhere as Kay takes advantage of him.
KAY
I never thought it could be like
this. Talk to me!
DOG
I’m sorry Mistress but I don’t. . .
KAY
You are useless aren't you? Your
Mistress was right. You should
be beaten. Put it in me!
Dog penetrates her but not very well. She slaps him across his face and there is an immediate reaction.
KAY
Oh! That’s better! So that’s the way
it is.
She smacks him again and again but stops when Florry walks in on them. Kay is now slurring.
KAY
What do you want? You can’t have him
at the moment.
Florry is shocked and runs from the room.
KAY
(shouting)
You can have it later.
She smacks him around his face once more.
KAY
Faster you animal and touch me!
INT. VIPER’S BEDROOM - DAY
Viper awakes but cannot move her arm.
VIPER
(screaming)
Dog! Dog!
Dog comes running in.
VIPER
I can’t move my arm. It’s come
back.
DOG
I’ll call for the doctor.
VIPER
No, call Kay.
INT. A BEDROOM - DAY
Kay is having a nightmare. Sweating, she thrashes about but the PHONE wakes her.
KAY
Hello? It’s me, Jesus Dog, I’ve
just been dreaming about you. . .
Since when?. . .Bring her over now.
INT. A SMALL CHAPEL - DAY
Viper sits underneath the electrical machine as it hums. Kay prays, out of her hearing. Dog stands to her side but she is disturbed by Dog’s presence.
KAY
Go outside.
DOG
No, I want to stay with my Mistress.
KAY
You’re disturbing me.
DOG
I don’t see how. I didn’t last
time.
KAY
It was different last time.
DOG
Yeah, I hadn’t been raped by a vicar
last time.
KAY
It was the Zest. That wasn’t me.
VIPER
(calling)
How long Kay?
KAY
Twenty minutes Viper. At least.
DOG
My woman was upset.
KAY
You’re both slaves. You have to be
used to it.
DOG
I do whatever my Mistress tells
me to do. I didn’t have a choice.
But you, you’re a free person. You
had the choice. You knew I was
with Florry.
KAY
It was the Zest.
DOG
So you keep saying.
Dog leaves the room.
INT. AN OFFICE - DAY
Viper sits sadly in a wheelchair. Dr. Smett flips through information on a screen then looks at Dog.
DR. SMETT
I can find no reference to
curcumentry electronics. She’s talking
rubbish. A quack.
VIPER
But the results of the test. . .?
DR. SMETT
A mistake obviously. I’m sorry
but there is no cure for your
condition.
VIPER
I’m not going to see the year out
am I? Not another Christmas.
The men look awkward.
DR. SMETT
You must not walk Viper. You must
stay in your chair.
VIPER
But all. . .
DR. SMETT
There is a danger of clotting. I
have no idea what exactly is going
on in your body. It’s impossible
to tell. You must be constantly
flooded with RB. Allen, you must
see to it.
ALLEN
I will. Is that it doctor?
DR. SMETT
I’ll call around in three days.
Keep a channel open for me in
Complex. I’ll monitor you. I’m
sorry Viper but we will make you
as comfortable as possible.
INT. A LIVING ROOM - DAY
MONTAGE:
Dog and Viper play chess.
Kay suffers badly from sweaty dreams.
- Tea for four is laid out but no one comes. Viper looks at her watch then at Dog who lowers his head. But Viper offers him a cup of tea.
Kay opens the door of her church and buys something from Aggy. She takes and burns it, revelling it its fumes.
Aggy opens a door to reveal a small tired room. She sits down miserably.
Kay meets Predator and her slaves at her church and welcomes her in.
When predator leaves, Kay looks very different. Dressed in black leather and with a tattoo.
END MONTAGE:
INT. A SMALL BEDROOM - DAY
Kay bursts in on Dog and Florry who are making love.
KAY
Up you filthy wretches. Up. You
should be working mid afternoon
not doing this.
DOG
Kay? What are. . .
KAY
It’s Mistress Kay. Don’t forget it.
Florry holds over herself and tries to leave.
KAY
You will stay there. I’ll deal with
you in a minute. Dog, I’m to
become your new Mistress. When
Viper goes, she’s leaving everything
to me.
Dog sniffs the air.
DOG
Have you been. . .
KAY
Yes I have. Lots of it.
DOG
The Mistress won’t allow it
in the house.
KAY
Won’t! Are you telling me what
I can or can’t do?
FLORRY
Leave him alone. . .please.
KAY
Put down that sheet and lay on
the bed.
Dog
Please Kay. Don’t hurt her. What’s
happened to you?
KAY
You’ve got no place else to go
have you? So you will do what
I say. Lay down.
Dog steps in between them.
DOG
I can’t allow this. This is not
you. Does Mistress know you are here?
KAY
Are you in my way?
With great hesitation, Dog steps away.
FLORRY
Oh Paul!
KAY
Lay down you slag.
Florry lays on the bed naked and Kay raises her cane.
KAY
I don’t want you sleeping with
my man do you understand?
FLORRY
But he’s my. . .
Kay brings the cane down hard on her back and Florry screams. Dog tightens but does nothing.
KAY
You will never come in here ever
again.
Again the cane strikes down causing another scream. Dog looks away.
Kay
In fact you will never talk to him
again is that clear?
Florry doesn’t reply and the cane is bought down once again.
FLORRY
(screaming)
Yes. Yes.
KAY
Now get out and go and wash my
horse and buggy. Out. And do it
naked. Out! Dog, prepare for some
afternoon fun. Out, you cow and
close the door.
INT. A LIVING ROOM - DAY
Viper is using Complex but stops when Kay pulls in Dog on a lead. Kay holds a green notebook in her hand which she gives to Viper.
KAY
Look at what I found in his room.
Viper reads.
VIPER
These are about me! You filthy dirty
wretch. I can’t believe this. Jesus,
these go back years. Look at the dates!
Kay looks gleefully at Dog.
VIPER
Is this what you think of me?
Is this what you’d like to do
to me? I had no idea what an
evil sexual man you are. Were
my father alive today he would
have you branded for even having
these thoughts about your Mistress.
KAY
I sent his bitch out to clean. You
were right, they were in bed.
VIPER
I will destroy this and you will
give thought to obtaining your
D and F. When I go, I’m leaving
everything to Mistress Kay. Get
out of my sight. Crawl out of my
sight.
Dog crawls away and out of the door.
VIPER
That shocked him. I had an idea really
but not that he wrote poetry about me.
Sweet really.
Viper thumbs through the notebook.
VIPER (con’t)
But not very good poetry.
KAY
I will keep the house exactly as
you wish it. I expect they will
go though. I’ll take on a new personal
slave.
VIPER
What about your church?
KAY
I’ll use an outhouse.
VIPER
It’s a big change isn’t it?
Vicar to Mistress?
KAY
I was never a vicar. I am a Venerable
Mother. I had no idea what I was
missing. I’ve been good for so long
it makes me sick. No, I can do both.
This is what was missing from my life.
Stuff for me.
VIPER
Whatever turns you on.
KAY
But. . .do you ever have dreams?
VIPER
I dream each night.
KAY
No, nightmares. Really bad dreams.
VIPER
That’s your conscience! And the Zest!
You’d better get over that. And
you’d better leave Dog alone until
I go. He knows more about me than
anyone and I need him. And that goes
for Florry too.
KAY
I’ve just told them that they mustn’t
speak to each other again.
VIPER
That’s stupid Kay. The household
won’t run without communication.
Tell them otherwise. . .For the
time being. Now it’s raining
outside. Has Florry got a coat?
KAY
I hope she hasn’t got anything on.
That’s what I ordered.
VIPER
What! She’s naked? What do you want
to do? Kill her? Go and tell Dog to
fetch her in. First rule. You don’t
kill your slaves.
Kay walks away from her, out of the room.
VIPER (calling)
Tell them both to come in here.
Viper wheels herself to the window.
Dog and Florry enter.
VIPER
She is inexperienced. And raw.
Mistress’s are like that when
they new. She will soften.
DOG AND FLORRY
Yes Mistress.
DOG
How are you now Mistress?
VIPER
Thank you for asking. At least
someone has. Not good. I’m beginning
to lose colour vision. As if the world
is turning into a black and white movie.
FLORRY
I can’t imagine that Mistress.
VIPER
There is no pain, And no fear of
course.
FLORRY
Mistress? Is Kay’s treatment working?
VIPER
I don’t really think so who knows? She
will be coming and going from now on
so I suggest that you both stay out of
her way.
DOG AND FLORRY
Yes Mistress.
VIPER
Off you go then and Florry, you
had better sleep back in your
room.
FLORRY
Yes Mistress.
Dog and Florry step outside into the hall.
FLORRY
I was tired of beating you anyway
Paul. I think we should finish now.
DOG
But I’m getting better. I need
you.
FLORRY
And I need a man who can make love
to me without needing to be beaten
and humiliated.
DOG
Please give me another chance.
FLORRY
How long did it take you to come
with her? Tell me the truth.
DOG
Two minutes.
FLORRY
There! Two minutes. You poke away
at me for half a limp hour and never
come unless I start hitting you.
It’s over Paul. You have to
care for the Mistress as well.
DOG
Please don’t Florry. Please.
FLORRY
Then see someone. After she dies
I’ll consider it. I do happen to
love you actually you bastard but
love you or not, I won’t put up
with your problem.
EX. UNDER A TREE - DAY
Kay is awakened violently by a bad dream.
KAY
Shit!INT. A SMALL ROOM - DAY
Florry is cleaning leather. Kay enters and she falls to her knees.
KAY
That’s alright. Get up.
FLORRY
Yes Mistress Kay, Can I do anything
for you?
KAY
No. I just wanted to say. . . I’m
sorry for beating you last week.
FLORRY
Oh!
KAY
Yes. It wasn’t right and I had been
at the Zest and. . .Well, alright?
I expect you can forgive me.
FLORRY
Yes Mistress.
KAY
So how are you and Dog getting along?
FLORRY
I’ve left him Mistress.
KAY
Oh, I see. I’m sorry. Well that was
it then. Carry on.
FLORRY
Yes Mistress.
INT. A BEDROOM - NIGHT
Dog is feeding Viper. She has difficulty eating.
DOG
Come on Mistress. Just another
spoonful. That’s it. Open wide.
Well I don’t think you’re going
to get much more than that down
you eh? You’re have to eat more
next time. You and your sister
always had big appetites. . .
Viper strokes his hand.
DOG
No Mistress. Not tonight. It’s
too late. You must sleep. I’ll get
your pot.
Viper strokes his hand again.
DOG
(louder)
Complex is not working tonight.
It’s too late.
Dog reaches under the bed and produces a chamber-pot which he puts under her after he lifts her up. Their eyes lock.
DOG
In the pot Viper, For me.
Viper relieves herself.
DOG
Very good. Now the nurse will be
outside your door all night. Just
like last night. You’re be safe.
Good night Viper.
Viper puts her lips together and Dog bends down and touches them against his cheek.
DOG
Good night Mistress.
Dog switches off the light and leaves.
INT. A CORRIDOR - NIGHT
Dog comes out of Viper’s room and meets a TALL NURSE.
DOG
Hello. Who are you?
TALL NURSE
I’m the replacement nurse. The other
couldn’t come in.
DOG
Why was I not told about this?
TALL NURSE
A Mistress Kay was told this morning.
Are you one of the slaves?
DOG
Not to you I’m not. You do know about
her don’t you? She’s got far worse
during the last week.
TALL NURSE
Yes. P.D.S. I have her notes.
DOG
You say that as if it’s nothing. You
are here only if an emergency occurs.
Any problem and you are to contact
me immediately is that clear? Only
me.
TALL NURSE
That’s clear. I have done this
before you know.
DOG
I’m sorry but I’ve known her a long
time and she only has a few days left.
TALL NURSE
I’ll look after her and call you
if there is any change. I’m monitoring
her from her.
INT. A CORRIDOR - DAY
Dog is about to enter Viper’s room with food when the tall nurse walks back along the corridor.
TALL NURSE
Oh, you are not to go in there.
DOG
Who says so?
TALL NURSE
The woman.
DOG
What woman?
TALL NURSE
The woman and the man she took in
there about a half hour ago.
DOG
This time in the morning?
Dog pushes on the door but it doesn’t move. Dog bangs on the door.
DOG
Who’s in there? Answer me.
After a short pause, the door is unlocked and Aggy and a portly ill-dressed man walks out.
DOG
Oh! What is going on. . .Mistress?
AGGY
Nothing to concern you. Get on
with your work.
Aggy and the man walk away. The nurse whispers to him.
TALL NURSE
I know him. He’s a solicitor.
Dog enters the bedroom and places the tray on the bed.
DOG
Mistress? What did they want?
Viper looks up at him sadly.
DOG
Food Mistress. You must eat.
Viper has a pad and a pen beside her hand and she writes slowly. Dog reads it.
DOG
Let me go.
Their eyes lock again and she smiles and weakly nods.
DOG
Oh God Mistress. What are you
asking me to do?
Viper takes his hand and squeezes it. Her eyes cross over to the other side of the room. After a short while, he crosses over the room and turns down a dial on the wall. Then he returns to Viper and holds her hand again.
DOG
I have to say now that I have always
loved you.
She smiles.
DOG
Are you in pain?
Viper shakes her head and her pen writes again. Dog reads it aloud.
DOG
Be good to my sister. But. . .
Yes, I will Viper, I will.
Viper squeezes his hand again and writes. Painfully, Dog reads.
DOG
I’m sorry if I hurt you.
Viper closes her eyes and stops breathing.
DOG
Mistress? Mistress. . .?
EX. A FUNERAL - DAY
Kay is conducting a funeral service. The open wooden funeral pyre is set out in woodland by the lake. Many people are present.
Finally, stoically, Dog lights it. Pot and Pot are crying. One by one, each places a flower into the fire.
The flames roar and everyone bows their head.
People move away after a time.
KAY
You there, Pill isn’t it? Is the
meal ready?
PILL
We have been instructed to cook
for twenty and we have. It is ready.
KAY
Good. Then off you go little slave
and prepare it.
POT
Excuse me but we are not slaves.
We are paid servants and we are
not spoken to like that. Just who
do you think you are?
KAY
I don’t care who you are. Slave or
servant. Get on with your work.
PILL
Come on sis. Leave her.
KAY
I think it’s best that you both
pack up and leave actually. I won’t
allow this sort of behaviour in my
house from my servants.
AGGY
And you won’t have to Kay because
it won’t be your house.
KAY
Viper left everything to me.
AGGY
Oh did she? We’ll see this afternoon.
KAY
Dog? Am I not her benefactor?
DOG
That’s what I was lead to believe
Mistress except it is no business
of mine.
AGGY
Damn right too. We’ll see later.
Dog looks at Florry.
DOG
Should I tell Mistress Kay about
Aggy and the man?
FLORRY
Don’t get involved.
DOG
I feel I should get involved. They’re
scrabbling over the estate like
wolves. They sicken me.
FLORRY
Paul! And you talking about women
with such disrespect! Have you changed
and can now speak your mind?
DOG
You’re making fun of me.
FLORRY
Yes I am and I shouldn’t but our
happiness depends on your future
conduct because I'm sure not
changing to accommodate your fantasies.
You either stand up for yourself,
get your D and F and get rehabilitated
or you can still kiss me goodbye.
DOG
I’m trying Flo.
FLORRY
I know this is a difficult day Paul
but unless you pull yourself together
our lives are going to be utter hell,
whichever one gets the place.
DOG
I am changing. I have changed.
FLORRY
But it’s not enough. I want to spent
my days with a man not a slave. God!
This isn’t Roman Britain. It’s not
compulsory.
DOG
I know it’s not. . .
FLORRY
Then change. Do something to prove
to me that you are changing and that
it’s worth my time waiting for you.
DOG
What? What can I do?
FLORRY
See? You can’t even think of. . .
I know! Just before the will is read,
do something nasty to both Kay and
Aggy.
DOG
What? You’re mad. How disrespectful
is that to Mistress Viper?
FLORRY
How disrespectful is it for you not to?
DOG
You’re crazy. They’ll beat me.
FLORRY
Not if you ask for your D and F at the
same time. If they touch you after that
then it becomes assault and you can
have them arrested. Kay may not know
that but Aggy knows the law.
DOG
In front of everyone?
FLORRY
Listen to me Paul. We can’t stay here
can we? Either one of them will make
our lives a living hell until we leave
so why not leave and feel good about
ourselves as well. Empty a jug of water
over their heads.
DOG
WHAT?
FLORRY
The bigger the problem Paul the
more drastic the measure you must
take. We can make it out here on
our own. Singly it’s hard. We know
but the two of us can make a go of
it. We can.
DOG
Water? On their heads?
FLORRY
Just a thought. How much of a man
do you want to prove to me you are?
INT. AN IMPOSING DRAWING ROOM - DAY
A GRAVE OLD MAN sits rustling papers while waiting for Kay, Aggy and Pill and Pot to sit.
AGGY
What are the kitchen staff doing
here?
GRAVE OLD MAN
They have been named as part of the
estate.
AGGY
You mean they are getting something?
GRAVE OLD MAN
Are we ready?
KAY
Yes. Get on with it.
As the will is being read, Dog leaves Florry’s side and walks to a refreshment table. Hesitating, he catches Florry’s eye and firmly takes hold of two water jugs.
GRAVE OLD MAN
...And so to my two loyal full
time staff, Pill and Pot I leave
the Payment house on the south of
my land to do with as they please
with an annual income of 500 credit
transactions for as long as both or
either of them live.
AGGY
That can’t be right.
GRAVE OLD MAN
I do not make mistakes young
woman. Allow me to continue thank
you.
Dog lifts up the water jugs and walks over behind Kay and Aggy.
GRAVE OLD MAN
And now to the main bulk of my estate.
Florry coughs loudly which stops everyone.
FLORRY
Sorry.
AGGY
You will be later. Go on.
Florry meets Dog’s eyes and she inclines her head. Dog looks at the necks of the two woman and raises both water jugs.
GRAVE OLD MAN
I leave. . .
Kay glances around and sees Dog with the water jugs.
KAY
Good idea Dog. Fill mine up.
GRAVE OLD MAN
May I please continue without any
more interruptions?
AGGY
I wish you would.
Dog hovers and again catches Florry's eye but then silently fills the glasses of both Kay and Aggy. Florry looks down sadly and turns away. Dog returns with the water to the table.
GRAVE OLD MAN
I leave the rest of my estate to my
faithful slave Dog who cared for me
beyond all duty.
AGGY AND KAY
(standing)
WHAT!
KAY
That can’t be right.
GRAVE OLD MAN
I am not in the habit of making
mistakes.
(To Dog)
Congratulations. You are a free
man and a rich one.
Florry walks from the room as the grave old man is pumping Dog’s arm.
KAY
I’ll contest this. I have to.
Aggy slumps back into her chair.
AGGY
I don’t understand. I was everything
to her.
GRAVE OLD MAN
I cannot keep calling you by your
old slave name sir, what is your
real name?
DOG
Paul sir.
GRAVE OLD MAN
Splendid name sir. Now. What a
change of fortune for you Paul. I
trust you will be retaining my
services.
DOG
Would you please excuse me for one
moment? I have to speak to someone?
GRAVE OLD MAN
Certainly Paul and no doubt, you’re
want to put some appropriate clothes
on?
DOG
Yes. I won’t be a moment. Please help
yourselves to refreshment. I’ll
bring I more later. Excuse me.
INT/EX. A HALLWAY TO THE FRONT GARDEN - DAY
Dog sees Florry leave on a horse.
DOG
FLORRY! COME BACK.
Florry's horse carries on and leaves him alone. He looks at the great house.
INT. DOG’S BEDROOM - NIGHT
Dog is looking at a photo of Viper.
DOG
Why did you do it Mistress? I’m
not deserving. How can this all
be mine?
He kisses the picture and puts it down. Picking up a pen he starts to write but there is a KNOCK. Florry is there.
DOG
Oh!
FLORRY
May I come in?
DOG
Oh, yes.
FLORRY
You let me down Paul.
DOG
I thought you’d gone for good. Pot told
me someone came for your things.
FLORRY
I’ve got a room in the village and
I’m working so I’m alright.
DOG
Why are you here?
FLORRY
I love you. Don’t get me wrong though,
I’m not coming back, I just thought
you deserved to be told to your face
what I think of you.
DOG
I hesitated too long.
FLORRY
Actually, getting this place and water
over their heads would have been
perfect but. . .
DOG
I know. . .
FLORRY
Why are you still in this boxy little
room?
DOG
It’s my room. I’ve always slept here.
FLORRY
But you own the whole house, the
whole estate. You are a master
not a slave and you must start
acting like one.
DOG
With your help. . .
FLORRY
No Paul. I’m not coming back to
you. Like I said, I need a man
who can make love to me without
needing to be hurt. You are not
that man.
DOG
What are you going to do then? I’m
now one of the richest men in the
south, so Mr. Satie, my advisor
tells me. How can I let you work
as a servant? I love you.
FLORRY
And that’s not enough Paul. Love
won’t carry me through the times
when I need you to be stronger
than me, when I need you, I mean,
really need you to kick ass. Don’t
you get that?
DOG
If I change?
FLORRY
You can’t.
DOG
I have the credit to change.
FLORRY
And what will be your motivation?
DOG
You.
FLORRY
And that’s not enough Paul. You
still don’t get it do you?
DOG
Tell me.
FLORRY
You do it for you. No one else because
no one else is living your life.
Don’t ever change for me. That’s
wrong. Don’t you see?
DOG
I only see you.
FLORRY
I’m going now.
DOG
I will change Florry. I will. I
want you back. I’ll find it inside
somehow.
FLORRY
You do that Paul. I’ll be in the
village.
Florry steps forward and kisses him on the cheek tenderly.
INT. AN IMPOSING DRAWING ROOM - NIGHT
Dog, wearing a handsome suit sits across a chess board. Laying across his lap is Patty. There is a KNOCK.
DOG
Yes?
Kay enters.
KAY
Am I interrupting anything?
DOG
Come in Kay.
KAY
I thought I’d drop by. It’s been a
while.
DOG
Three weeks. How’s the church?
KAY
With your donation, doing very
well thank you.
DOG
So what brings you back?
KAY
To the point. I Like that. In a
word. Gossip.
DOG
Gossip?
KAY
About Aggy.
DOG
What about her?
KAY
She’s applied for an A of S.
DOG
Acceptance of Slavery! No! You
have it wrong.
KAY
I saw the form myself with her
imprint on it.
DOG
I don’t understand. She’s been
a Mistress for as long as I
can remember.
KAY
She’s flat broke and her credit
rating is zero. She gambled you see.
Didn’t you know that?
DOG
I had no idea.
KAY
She thought she was going to get
all this.
DOG
So did you.
KAY
Yes, well. . .Some you win and
some you lose.
DOG
So where is she going to work?
KAY
She’ll start off at an agency
I expect.
DOG
Thank you for letting me know. I’ll
watch out for her. I don’t want
her here.
KAY
I thought it would have been emotionally
satisfying to have her as your own
personal slave. Naked and bound.
DOG
You don’t know much about slavery
do you Kay?
KAY
And don’t want to. I’ve taken a walk
down that path and it wasn’t to my
liking. I have a powerful conscience.
DOG
The Zest didn’t help.
KAY
Anyway Dog. . .Sorry, Paul. I’ll
be going. I also wanted to apologize
to you.
DOG
Everybody wants to apologize to
me and no one has to you know.
I was a slave and now I’m a free man.
KAY
I just hope that I didn’t screw
things up between you and Florry
who I saw this morning by the way.
She’s selling time space on Complex.
DOG
I know. We speak occasionally and it
wasn’t you which caused our breakup
by the way.
KAY
Sure? Glad of that then. So, thank
you for you donation again and I’ll
say, see you.
DOG
I’d like it if you called again. As
a vicar, I could do with some spiritual
advice.
KAY
It’s a deal. Bye.
Kay leaves and Dog returns to his chessboard.
DOG
Ah! Pawn takes Queen.
He looks upwards.
DOG
That’s about right ah Viper?