The Opened Eye



A screenplay written way back in 1997. As I have not had the time to rework it, I think it is poor in construction, treatment, grammar and spelling but nonetheless still believe it is a subject worthy of this site. My apologies for the non-standard formatting, an imposition of my beggarly knowledge of html.


FADE IN:

INT. AN IMPOSING DRAWING ROOM - NIGHT

CAPTION: NOVEMBER 2062


VOICE (V.O)

In the second decade of the twenty

first century, after the day of

poison, human population, within

one month, fell to an estimated

550 million. It took ten years to

dispose of the dead. It took twelve

years for order to be reestablished

in Europe and the States.

But the stability was immature. By

2032, this fledgling, utopian world,

out of economic necessity, was

classifying people as either inferior

or superior. Supporters called it

natural law though others called it by

an older name - slavery. Although not

legal everywhere, it became commonplace

for its ability to solve difficult

social and financial problems. After

2040, what began as servants, later

became poorly paid labour then “labour

to exist” or slaves. Slaves chose

this route by applying for an A of S.

An Acceptance of Slavery contract.

Then they were able to be legally

bought and sold. A slave can be

granted a D and F - Deliverance of

Freedom at any time. Reasons for

choosing this way of life are many

but laziness, old age or disability

are some. Most slaves are treated and

fed well and many are happy with their

lives.

Two, middle-aged women, LILITH and VIPER play chess on the tattooed back of DOG, a man in his forties. He only wears a short leather skirt and a collar and a lead and is on his hands and knees between the two women.

Next to Lilith is a dog called PATTY which she strokes.

In a dark corner is an old woman, HOLLY who sleeps. At her feet sits BIRK, an old semi-naked man.

LILITH

Do you still want that bible?

VIPER

Yes.

LILITH

Is this a getting older thing?

VIPER

Who knows?

Viper taps the head of Dog.

VIPER (cont)

Keep still!

DOG

Sorry Mistress Viper.

LILITH

Keep your back straight. . .level.

DOG

Yes Mistress Lilith. Sorry Mistress

Lilith.

LILITH

Sorry won’t be a word I use if you

tip the pieces over.

DOG

Yes Mistress Lilith. Sorry Mistress

Lilith.

VIPER

He’s fading you know.

Lilith smears Dog’s tattoo of the chessboard.

LILITH

Yes. Let’s call in Ouch and get it

reworked. Dog? When was this done?

DOG

About fourteen years ago Mistress

Lilith.

VIPER

Perhaps in different colours this

time?

LILITH

Red and blue!

VIPER

Yellow and green!

LILITH

We’re have you looking like a circus

Dog. You’re be the most colourfully

tattooed slave ever!

DOG

Yes Mistress Lilith.

VIPER

Actually Lil, I’m getting a headache

with all this thinking. You win anyway.

LILITH

Shall we go to Complex?

VIPER

See you in there.

LILITH

Dog, feed Patty and make sure the

room is prepared for tomorrow.

The women leave Dog to shake off the chess pieces and gather them up. As he walks away, holding Patty, he rubs his back.

INT. A DARKENED ROOM - NIGHT

Viper joins Lilith before a short metal tower.

VIPER

Hi Complex.

(To Lilith)

Are you on?

LILITH

Not yet. It’s busy tonight. Oh,

here we go. Quick.

The women lay back in comfortable chairs and several bright lights strike them. Within seconds their eyes close and they both gasp in delight.

INT. LARGE KITCHEN - NIGHT

Dog joins two young woman, PILL and POT and prepares Patty’s food.

DOG

Hi Pill. Hi Pot.

Patty sits obediently at his feet watching him.

PILL

She only loves you because you feed

her.

DOG

That’s not true is it Patty? Nooo!

Dog holds up a scrap of meat.

DOG

What do you do Patty? Beg! Go on!

POT

If she catches you doing that, she’ll

whack you stupid.

Patty begs.

DOG

There. Good girl!

The meat is dropped and Patty pounces on it.

DOG

I’ve seen her angry before and I’ve

survived.

PILL

What are they doing?

DOG

Railing. They’re be on for the rest

of the night. About time you two

disappeared isn't’t it?

POT

Not tonight. Extra cooking for

the weekend.

DOG

Going well?

PILL

Of course.

POT

Are they bringing in more help?

DOG

Not paid. Just more slaves. Twenty

I think and not all to serve food.

They’re arriving tomorrow morning.

POT

They’re not using this kitchen. I’m

not having twenty sweaty slaves in

here.

DOG

No, they’re being chained in one of

the barns.

PILL

That’s all right then. But whose

going to feed them?

DOG

An arrangement has been made with an

over Mistress. She’s called The

Predator and she’s feeding them.

PILL

God! I’m keeping out of her way.

Dog, you must be insane. Why don’t

you get your D and F and start afresh?

DOG

Because I have no where else to go.

PILL

So? Nor do millions of others but they

haven’t sold their flesh.

DOG

They wouldn't know what to do without

me.

POT

Oh yeah? Do you know what they’d do

if you left? They’d get another slave.

DOG

They wouldn’t. I’ll see you in the

morning.

INT. A SMALL BEDROOM - NIGHT.

Dog stares at the stars while smoking. A little way off, giant propellers catch the wind. An airship buzzes overhead and his eyes follow it.

DOG

Freedom.

Dog closes the window and from behind a scrap of wallpaper, he pulls out a green note pad from which he takes a faded photograph of a Viper as a younger woman. He kisses it and writes.

DOG

Goodnight Mistress Viper.

Dog chains himself to his own bed and switches off his light.

INT. AN IMPOSING DRAWING ROOM - DAY

Lilith, Viper, AGGY and FELL, two more middle-aged women, are taking tea. Dog and three other male slaves stand nearby.

AGGY

So darling, how is your mother?

LILITH

Surviving. The old thing barks orders

from time to time but we don’t pay

notice.

FELL

My boy here called last week

He noticed her gazing out from

one of the towers.

VIPER

Yes, that’s Mother. She’s taken to

look at the woods a lot. I’m having

a guard rail put up.

AGGY

Darling, this tea is exquisite. It

has a flavour quite unknown to me.

LILITH

One of the boys in the village

puts it together. I’ll tell him

to grow you a bag. I call it memorize.

It’s rather expensive but you

always get what you pay for.

AGGY

How quaint but please don’t bother

Lilith. I have so many teas already.

Now, I do so enjoy our Wednesdays

together. It’s never the same when

using Complex, no matter how good

they get it.

VIPER

Oh, you are so right. It has its

uses but I’m old fashioned. I like

to talk face to face. You can’t beat

reality.

Fell snaps her fingers and a TALL MALE SLAVE steps forward and lights a cigarette for her.

AGGY

Why don’t you want your own slave

Lilith?

LILITH

Too much bother looking after them.

I guess I’m too independent. I like

to do things for myself.

AGGY

How quaint.

LILITH

Besides I have my fun.

Lilith nods her head and Dog steps forward.

LILITH

Piss in that plant pot.

VIPER

He will not! That’s my favourite

cactus.

The woman laugh cruelly.

VIPER

He’s my slave. This cup then.

Viper holds it underneath him.

LILITH

(to Dog)

Now would be a good time.

Dog lifts up his leather skirt and fills the cup. The women are delighted.

VIPER

Don’t overfill it! If you piss on

my hand that will be the end for

you. There! Take the cup now.

LILITH

You see ladies, and I don’t have

to worry about procedures or policies.

FELL

You haven’t proved anything Lilith.

Just that you’re a bit mean with

money!

VIPER

I’ve a new trick. Watch. Dog?

Dog steps forward again and kneels. Viper picks up Patty and places her next to Dog then picks up some cake and tosses it on the floor.

VIPER

Go on! Eat it up!

Both Dog and Patty scrabble to eat the cake. The dog wins and Lilith places her foot underneath Dog’s chin.

LILITH

Lucky for you she won Dog.

DOG

Yes Mistress.

A CRY from another part of the house.

VIPER

Ladies, Please stay. That’s mother.

I’ll have to go. Lilith?

LILITH

Your turn. Off you go. Just

follow the string she has tied

around your ankle.


EX. A FIELD - DAY

Lilith and Viper are racing each other in chariots each pulled by 5 men and 5 women. Both women are screaming fanatically as they move towards a finishing line. Dog waves a flag when Viper flies past first.

VIPER

Yes! Whooh, whooh!

Both chariots come to a halt and everyone is breathless.

LILITH

That wasn't fair. You got the fittest

ones. I want a rerun.

A groan ripples around the slaves.

LILITH

Shut up or I’ll take my whip to

you. Line up on your knees scum.

I suggest you keep quiet or the

next five days will be more painful

than you think they are going to be.

The slaves kneel in the thick mud shivering, heads bowed. Lilith and Viper inspect each one. They stop at one MALE SLAVE.

VIPER

What is your name?

MALE SLAVE

Slave Cowper Mistress.

Viper’s riding crop caresses the man’s neck and snaps her fingers. Dog steps forward.

VIPER

I see. All of you. This is Dog.

He will show you where you will

sleep. You will follow him without

talking. Go. Dog, ask Mistress

Predator to join us after she has

rested.

DOG

Yes Mistress Viper.

A SHOUT comes from a way off and a POLICEMAN cycles over to them.

POLICEMAN

Good morning Miss Lilith, Miss

Viper. You know why I’m here.

LILITH

Go on. Get it over with then.

The policeman steps over to the slaves with a recording device and approaches a TALL SLAVE.

POLICEMAN

Are you here by your free will?

TALL SLAVE

I am sir.

POLICEMAN

What is your name?

TALL SLAVE

Slave Baxter B sir.

The policeman moves on to the next who is a WOMAN.

POLICEMAN

Are you here by your free will?

WOMAN

I am sir.

POLICEMAN

What is your name?

WOMAN

Slave Bug sir.

POLICEMAN

The names you people have! Aren't

you cold?

WOMAN

Yes sir.

The Policeman moves to the next.

VIPER

Officer? We’ll be at the house if

you need us. Please remember there’s

something warm for you in the kitchen.

POLICEMAN

Yes madam. Thank you for your

co-operation. I must follow through

the complaints. They were seen and

this is not exactly slavery country

as I’m sure you are aware.

LILITH

I’ll make sure it does not happen

again officer.

Lilith and Viper leave.

VIPER

You are a dirty old woman Lil. You’re

old enough to be that Cowper’s

grandmother.

LILITH

And you wouldn’t?

The two women eye each other before smiling. Joining arms they walk back to the main house.

LILITH

You know, this is going to be our

best birthday ever.

VIPER

We’re only fifty once.

INT. A BARN - DAY

All twenty slaves are clean and standing in a line. Each is recognisable by a number. They wear the minimum amount of clothing. PREDATOR, a tall black woman, dressed entirely in shiny leather, stands before them.

PREDATOR

My reputation is of value tonight.

I come recommended because I command

respect. And I have respect because I

wield power. If any of you becomes a

canker, if anyone fails to please the

guests, I will get personal with you.

Fifteen of you come from the actions

and I haven't had time to regulate you

yet but I will find time.

Predator steps forward and squares off against the only BLACK MAN in the slave group.

PREDATOR

How long have you been with me?

BLACK MAN

Five years Mistress Predator.

PREDATOR

(to the group)

And when he came, he thought his skin

might sway me a little, might ease the

path from free man to slave ism’t

that right?

BLACK MAN

Yes Mistress Predator, I did.

PREDATOR

And did it?

BLACK MAN

No, Mistress Predator, it didn’t.

PREDATOR

That’s right. What happened to you

slave? What did I do?


BLACK MAN

You taught me respect Mistress

Predator.

PREDATOR

Listen to the tone in his voice.

(To the black man)

Put your face on the ground.

Without hesitation, the black man drops to the floor where Predator places her boot on his face and squashes it into the mud.

PREDATOR

And I am fond of this one. I sleep

with this one. Do not let me down.


INT. A HALLWAY - NIGHT

Lilith and Viper are greeting party guests as they arrive. Men and women of all ages. Single and partnered. Some have brought their own personal slaves, both male and female. Dog stands nearby.

Predator hovers in the background and numbered slaves run from room to room fetching refreshments and taking coats.

Lilith motions to Dog and gives him a large red capsule. He moves away.

A tall broad man steps through the front door.

VIPER

Chief Inspector! Oh you said you’d come

and you have.

LILITH

Welcome Inspector.

CHIEF INSPECTOR

Ladies. A happy birthday to the

gentlest yet strictest twins I ever

knew! This is for you.

Two men in uniform step forward and offer each woman a present.

LILITH

I don’t know what to say Inspector.

CHIEF INSPECTOR

Call me Zed. My friends do.

INT. A CUPBOARD - NIGHT

Dog enters and makes himself comfortable then opens a door to reveal a mechanism. He takes the red capsule and enters it into the unit. With a release of gas, a canister fills up and Dog closes the door. He sniffs the air then waves his hand in front of his face.

INT. AN IMPOSING DRAWING ROOM - NIGHT

Lilith, Viper and their guests are drinking and socialising. Dog approaches Lilith.

DOG

It’s done Mistress.

Slaves are collecting food and serving well dressed men and women who take it without a second glance at them. Laughter is heard and wine drunk.

INT. AN IMPOSING DRAWING ROOM - NIGHT

Many guests are staggering slightly and becoming loud. Slaves are being humiliated and degraded in many different ways. Viper has a slave by a chain and drags him away while Dog watches her.

CHIEF INSPECTOR

Is that Smoky Zest I smell?

LILITH

Damn! You can smell it? It’s

supposed to be pure.

CHIEF INSPECTOR

I’ve a nose. Where did you get it?

LILITH

Now Inspector. . .

CHIEF INSPECTOR

Okay but next time call me and I’ll

get you some that’s cleaner.


LILITH

Our number one got it actually. Where

is he?

DOG

I’m here Mistress Lilith.

LILITH

We can smell it! Next time we go into

Gafbel, you’re get my credit back.

DOG

Yes Mistress Lilith, Sorry Mistress

Lilith.

PREDATOR

To the dungeon everyone. Let’s put

these dogs and bitches through their

paces!

INT. A DUNGEON - NIGHT

MONTAGE:

Visitors pour in and within minutes, the room is transformed by the bodies of slaves being beaten, whipped and humiliated. Wine is poured, drugs are smoked and sex begins.

The house becomes alive with debauchery. Dog and Patty are made to chase after the same piece of meat. There are chariot races around the grounds in the dark.

The cries of humans blend with loud music and Viper smacks slave Cowper as he thrusts energetically in and out of her.

Five women drag two naked male slaves into the kitchen and smear them with food. As Pill and Pot retreat into the corner and pretend to work, the women devour the men like lions.

Several men drag a women slave away into a room.

END MONTAGE:

INT. A CUPBOARD - NIGHT

From the cupboard, the gas HISSES then stops.

INT. A DINING ROOM - DAY

Dog is serving Lilith and Viper breakfast. Both have dark glasses on.

Dog ‘chinks’ a cup and gets frowned at.

DOG

Sorry Mistress.

VIPER

God! Fifty! Was it worth it?

LILITH

Best bloody party I’ve had for a

long time.

VIPER

It was good wasn’t it? The Zest worked

didn’t it? Cowper had the cutest

bottom. I’ve still got him chained

to the bed!

LILITH

Hey you!

DOG

Yes Mistress Lilith?

LILITH

I haven’t forgotten about your

buying of the Zest.

DOG

Yes Mistress. I’m sorry Mistress.

VIPER

About what?

LILITH

I’ll tell you later.

Pill enters.

PILL

Your doctor Madam.

Viper takes the call from a mobile unit on the table then frowns.

VIPER

Christ! He says we have to be checked

because we’re fifty!

LILITH

That can’t be right. I thought it took

about a month for that to happen.

VIPER

I’m in at eleven and you at eleven

thirty.

LILITH

Today? Dog? You’re sort that Smoky

Zest out.

DOG

Yes Mistress Lilith.

VIPER

Where’s that manic, Predator?

DOG

Sleeping Mistress Viper.

LILITH

She did a good job.

VIPER

You randy bitch! Well, she should have.

She cost enough. Dog. Get the rest of

her herd up, get them clean and set

them to work. I want to see this place

sparkling when we get home.

DOG

Yes Mistress Viper.

INT. A BEDROOM - DAY

Birk enters and serves breakfast to Holly.

BIRK

That’s it Mistress, up a little

more. It’s your favourite.

HOLLY

Thank God that music has stopped.

BIRK

Yes Mistress. All the guests have

gone.

HOLLY

I bet the slaves are still here

though. My daughters will squeeze

the most out of them. When I was fifty

years old I was still burying and

burning.

BIRK

Yes Mistress.

HOLLY

Prepare a bath.

Birk leaves and Lilith knocks and enters.

LILITH

Hello Mother.

HOLLY

It was too noisy last night. I couldn’t

sleep.


LILITH

Didn’t Birk turn on the shielding?

HOLLY

Of course he did but it was too

loud.

LILITH

Mother, don’t complain, it’s not

every day we have a party.

HOLLY

And that stink came up through

the floor. Evil stuff!

LILITH

I’m sorry about the smell. It was

supposed to be pure but. . .

HOLLY

I don’t know why you needed it.

LILITH

Mother, in your day you had alcohol.

Today we have Smoky Zest. Didn’t

your mother complain about you when

you were young?

HOLLY

You aren't young and if it wasn’t

for me you wouldn’t be this age now.

LILITH

I don’t want to hear the story again

mother. We’re off to the village.

Do you require anything?

HOLLY

Buy a shovel and I’ll show you where

I buried him.

LILITH

I’m going now mother. Goodbye.

HOLLY

I can still smell the Zest.

LILITH

As it has a half life of thirty minutes

I very much doubt that.

Lilith leaves.

HOLLY

(shouting)

Birk? Get me out of this coffin. I’m not

dead yet.

EX. A PATH ALONGSIDE THE STABLES - DAY

Leaves are falling. Lilith meets Viper and they stroll to the stables. Dog is grooming a horse. There is the SOUND of laughter and they catch him blowing a kiss to someone.

LILITH

Dog? Who’s in the stable?

DOG

Oh!

VIPER

You, in there, come out.

FLORRY, a woman in her forties edges into the sunshine.

LILITH

Florry? Are you interested in Dog?

Florry drops to her knees and holds up a small screen.

FLORRY

I’m so sorry Mistress. I shouldn’t

be here but I’ve just bought a list

of the things Pill and Pot need

for the coming week.

LILITH

You never answered me. Are you?

FLORRY

I, I do like him Mistress.

LILITH

Well goodbye to sense!

VIPER

You know the rules Florry.

FLORRY

Yes Mistress. I’m sorry.

VIPER

So you should be. Fraternizing with

my personal slave! Away. I’ll punish

you later.

LILITH

No wait Viper. This is wrong. He

should be punished too. They know the

rules.

VIPER

What do you suggest?

LILITH

(to Dog)

Come here.

Dog drops to his knees and kneels before Lilith.

LILITH

Blowing kisses ah? Well, kiss the

horse.

Dog stands and holds the head of the horse so their noses touch.

Lilith brings her cane down across his shoulders.

LILITH

I won’t tell you again.

Dog kisses the horse’s mouth.

LILITH

Use your tongue! Harder. Get it’s

mouth open. That’s it. It’s the

only female you’re likely to kiss

while I’m alive.

Viper and Florry look away in disgust as Dog suddenly vomits. Lilith and Viper climb aboard their landau. Dog recovers, straps himself into a harness and they move off.

VIPER

You’ve got a streak of dad in you.

LILITH

For goodness sake Lilith. He’s been

with us for twenty five years. He

should know by now.

VIPER

I expect it was innocent.

LILITH

At their age? What do you think?

Nine months from now and there will

be another mouth to feed.

VIPER

You’re just jealous because you

never had a child.

LILITH

Viper, I love you as a sister loves a

sister but sometimes I want to slap

you hard.

EX. A VERANDA - NIGHT

Lilith joins Holly.

LILITH

Evening Mother, did you enjoy dinner?

HOLLY

Are Pill and Pot related?

LILITH

I don’t think so. Why?

HOLLY

Their food tastes the same. Was that

chicken we had?

LILITH

I’m sorry about the party. I’ll get the

shielding adjusted.

HOLLY

I had bad dreams.

LILITH

(angrily)

I’ve told you Mother. Put the cleanser

on and you won’t dream.

HOLLY

I was thinking of having him dug up

and buried properly.

LILITH

Mum, stop. It was 35 years ago. There’s

probably nothing left of him. Let the

bastard go.

HOLLY

I still dream about him though.

LILITH

Then use the bloody cleanser.

HOLLY

That doesn’t make it go away and you

know it.

LILITH

You should erase him from memory.

I’ve forgotten the things he did.

HOLLY

No you haven’t Lilith. No you haven't

at all. There’s a rotten streak a

kilometer long running through you. I

heard what happened at the stables.

LILITH

He deserved it and got off lightly.

Dad would have skinned him.

HOLLY

Your dad was a very cruel man. . .

LILITH

I know! Why are we having this

conversation Mother?

HOLLY

Because I hear and see things which

sicken even me. I know what you do

Lilith.

LILITH

This is rich. From the woman who

once had fifty slaves beaten because

an apple went missing! Have you

had your medicine?

HOLLY

Your father loved you more than

Viper you know.

LILITH

And don’t you think I’ve worked

that out over the years? Don’t you

think I know that? When you smashed

his head in that night and we dropped

him into that pit, dug by Birk, by

the way, how glad do you think I was?

HOLLY

We were all glad.

LILITH

Not as glad as me.


HOLLY

It still troubles me that he’s down

there.

LILITH

And he can stay down there because he

isn't coming up while I’m alive.

INT. AN IMPOSING DRAWING ROOM - NIGHT

Viper sits with her feet up using Dog as a stool. She is speaking into a phone.

VIPER

Thank you Tim. Yes, I’ll tell her.

No, she’s always been the same.

Okay and thanks.

(to Dog)

That was the doctor. We are well.

DOG

That’s good news Mistress.

VIPER

Whatever came over you this morning?


DOG

I’m so sorry Mistress. It just happened.

The sun was shinning and she looked

nice and I just forgot myself.

VIPER

Well, Lilith’s not going to forget.

She’s been told to visit her at

nine tonight and she ism’t in one of

her best moods.

DOG

It wasn’t her fault Mistress. Shall I

go and tell the Mistress that?

VIPER

Dog, you would be safer here with me.

Lift up your back. You’re sagging.

DOG

Yes Mistress. She won’t hurt her

will she?

VIPER

She? She? Who’s she?

DOG

I’m sorry Mistress, I mean the Mistress

won’t hurt her will she?

VIPER

Whether she does or doesn’t is no

concern of yours. You mean nothing

to her and she means nothing to you.

Is that understood?

DOG

Yes Mistress.


INT. A LARGE BEDROOM - NIGHT

Lilith sits writing. A KNOCK sounds.

LILITH

Come.

Florry enters with her head down.

LILITH

Ah, the slut who wishes to ruin my

household. Walk to me.

Florry edges slowly forward and then kneels trembling from head to foot.

LILITH

Do you really understand what a

privilege it is to work here? In a

world where your only use is because

of what you have between your legs,

I have offered you a good position.

You eat my food well enough I fancy and

sleep in one of my beds but that’s

not enough for you.

Florry begins to cry.

LILITH

That doesn’t work with me. How long

have you been with the house?

FLORRY

Seven months Mistress.

LILITH

Seven months and you’d stick a

knife in my back if you could.

FLORRY

No Mistress! I. . .

LILITH

You will be quiet. I should give you

your D and F right now and let the

world take you. You’ve been a slave

how long?

FLORRY

Since my guardian died Mistress.

I was eighteen.

LILITH

Thirty years. You see, I know about

you. I know your cunning and willful

ways. You do know that once I give

you your D and F, you’ll find no one

else to take you in?

FLORRY

Yes Mistress. Please.

LILITH

You’re be dead within three weeks

because who’d want a screw with you?

FLORRY

I’ll do anything Mistress. Please,

I’m so sorry.

Lilith takes down a cane and swishes it about.

LILITH

Perhaps not this time then. Or

maybe if you don’t scream. Pull

down your dress.

Lilith kicks her door closed.

EX. A PATHWAY - DAY

Lilith and Viper are riding horses.

LILITH

I dealt with that slut last night.

One more chance.

VIPER

She wasn’t in the kitchen this

morning.


LILITH

No, not this morning. I’ve given her

a heap of leather to clean.

VIPER

I was thinking of giving Dog his

D and F.

LILITH

No?! It’ll kill him. Where would he

go?

VIPER

I thought we might give him a paying

job. In the grounds perhaps.

LILITH

He’s institutionalized Viper. He’d

do the same work except we’d have to

pay him. What’s brought this on?

VIPER

Last night. He was unhappy about

Florry.

LILITH

Can you hear yourself talking? Since

when did you care about what

slaves thought?

VIPER

I don’t!


LILITH

Okay! I see.

VIPER

He’s been with us for so long Lil

that I thought a little pleasure

wouldn’t go amiss. Especially at

his time of life.

LILITH

He choose his life. This isn’t

ancient Egypt. He can leave anytime

he likes.

VIPER

Now you know that’s not true. What

would he do and where would he go?

LILITH

Freedom comes with a price tag.

VIPER

Can’t you see anyone’s point of view

except yours?

LILITH

What’s there to see? He was a runaway

kid who picked up a scarf for you.

VIPER

And he was still there waiting for me

hours later when I came out. He has

been loyal from the beginning.

LILITH

I don’t know why I’m bothering to

have this conversation Viper. We both

know that you won’t let him go. We both

know that his chosen way of life is

to be subordinate to woman and we both

know that he doesn’t want to go so there.

VIPER

I think then that we should relax the

rules for him. Make her a privilege for

him.

LILITH

So he can fuck her? Over my dead body.

VIPER

What have you against that?

LILITH

Daddy laid down the rules for slaves

in this house.


VIPER

Oh and he knew best didn’t he? I expect

he was thinking of them while he was

beating mum and us senseless.

LILITH

At least you only got beaten.

A pause.

VIPER

I wish I knew where he was buried.

We could destroy the body completely.

LILITH

So she’s been chatting to you as well?

And what will happen if the Jurisdiction

find out? There’s still only the four

of us know. Mum would be put away,

our house, land and credit would

be confiscated and you and I would be

dead within three weeks.

VIPER

Yes, even if we did know I suppose it

would be hard to move with all the eyes

and ears around the place.

LILITH

That’s the most sensible thing you’ve

said all week. Now forget about Dog

as well.

VIPER

Come on Whippy Woman. race you back.

INT. AN IMPOSING DRAWING ROOM - NIGHT

Slaves are putting up Christmas decorations and a huge tree.

Lilith and Viper are relaxing.

LILITH

I do like Christmas y’know. A time

of good will and all that shit.

VIPER

It’s not the same without mum.

LILITH

Yeah. . .true.

VIPER

She wasn’t all that old.

LILITH

Yes she was. She was born in 1970.

Since the collapse, she was lucky to

have lived as long as she did. If it

were’t for her money we would have

died a long time ago too.

VIPER

But to die like that!

LILITH

Yes, that was awful. Everything

got in?


VIPER

Yes, Pill and Pot have been at it

since dawn.

LILITH

I got a card from Birk yesterday.

He’s now living with his sister. Like

I care.

VIPER

He slaved for mum for over fifty years.

Give him a break.

LILITH

Who cares about some old slave?

I don’t. I’m surprised he wrote.

Did you get one?

VIPER

I did thank you and I thought it

was very considerate of him.

LILITH

He didn’t sound considerate when

I gave him his D and F after the

funeral.

VIPER

Well what did you expect him to say?

I expected him to be grouchy.

LILITH

Grouchy! Not in my time and in front

of me.

VIPER

(smiling)

You didn’t have to give him six on

the arse though actually on site.

LILITH

Should have gave him twelve. Nice

little going away present. . .Oh

my God!

VIPER

What!

LILITH


The chief Inspector!

VIPER

What about him? Arriving at one.

LILITH

I forgot to pick up his present.

VIPER

You silly cow! Send someone.

LILITH

I can’t. Briggs will want my scan.

VIPER

Well, you’re have to go then. Dog

will take you.

LILITH

No, too slow. I’ll take Kathy.

EX. AT THE STABLE - DAY

Lilith bolts out of the stable on a horse.

LILITH

Come on girl. That’s it.

EX. A VILLAGE - DAY

Four male youths throw stones breaking windows on an abandoned house.

Lilith gallops into view and pulls up outside a shop near the youths. Tying Kathy to a bar, Lilith enters the shop and the youths move maliciously towards the horse.

INT. INSIDE A SHOP - DAY

Lilith is being served by MR. BRIGGS.

LILITH

I’m so glad I caught you Mr. Briggs.

MR.BRIGGS

Just about Miss Davonport. Just about.

It was ready yesterday and I was surprised

when you never collected it.

LILITH

I don’t know. Getting old that’s

what it is.

MR.BRIGGS

I don’t know about that.

LILITH

Flatterer! There, here’s my scan.

MR.BRIGGS

Thank you so much and a very good

Christmas to you. How are things

at the manor?

LILITH

Quiet at the moment. Having a party

tomorrow. Lots of people coming.

MR.BRIGGS

You know. I’ve never agreed with your

lifestyle Miss Davonport but you and

your sister have always acted as

ladies.

LILITH

Thank you.

MR.BRIGGS

And your mother too of course God

bless her soul.

LILITH

You’re very kind. Now I must get back

Mr. Briggs. Lots to do.

MR.BRIGGS

Of course. Merry Christmas again.

LILITH

And to you. Good bye.

EX. A VILLAGE - DAY

Outside the shop, the four youths are standing next to the horse.

LILITH

You boys. Get away from my horse.

YOUTH ONE

Piss off. I’ll touch it if I want to.

LILITH

You’re move away from her right now if

you know what’s good for you.

YOUTH ONE

What you going to do? Whack me arse?

The boys jeered and Kathy rises up a little.

LILITH

I said move away.

YOUTH TWO

You’re one of the weirdo women. Well

we aren't your slaves.

One of the youths flicks Kathy ear with his finger.

LILITH

You bloody sod. Get away.

Lilith steps towards them but they move and keep the horse between them and her.

YOUTH ONE

What are you going to do?

Lilith inspects Kathy and doesn’t see one of the youths grab her legs from under Kathy belly and she topples to the ground. She lifts herself up immediately and strikes out with her cane, smacking the youth across the face which draws blood.

A knife is brought out by YOUTH TWO.

YOUTH TWO

Get us some credit. Now or the

fucking horse gets slit.

LILITH

Leave her alone. Leave her alone.

The youth stabs the horse’s neck violently and Kathy lets out a terrible screech.

LILITH

Nooooo!

Lilith rushes forward and strikes the youth around the head several times before she collapses. The youths rifle her pockets and flee.

Mr. Briggs comes running from the shop and kneels down beside her.

LILITH

They’ve hurt Kathy Mr. Briggs. Fetch

someone.

MR.BRIGGS

Are you hurt?


LILITH

No. Please help my horse. They’ve cut

her neck. Oh God.

MR.BRIGGS

I’ll get help. Sit there.

Mr. Briggs runs back into his shop and Lilith tries to stand but falls down again. Surprised, she opens her thick coat to find it full of blood and that she has been stabbed herself.

LILITH

Oh! Oh shit!

A second later Lilith falls backwards onto the ground. The horse too, steadily lets herself down as well until the two of them are laying next to each other.

From inside the shop Mr. Briggs is SHOUTING.

MR.BRIGGS (V.O)

Hello? Hello? Send a medic quick.

No, it’s very urgent. No, it can’t

wait.

Lilith’s pale face catches the evening sun. Her breathing slows and her body shakes-then stops.

EX. A GRAVEYARD - DAY

The weather is cold and hard. Viper and her guests attend a service before an open wooden pyre.

From a chair, a crying Viper lights a match and gives it to Dog who torches the pyre. Gently, she nods. The signal for others to step forward and throw flowers into the blaze.

VIPER

My turn next Dog.

DOG

Oh no Mistress. Not you.

VIPER

What will become of you then eh?

DOG

Exactly Mistress.

VIPER

You’re look after Patty now.

DOG

Yes Mistress.

VIPER

The world’s gone very dark now Dog.


DOG

Yes Mistress.

INT. A LIVING ROOM - NIGHT

Viper sits staring at nothing. Dog enters with a glass.

DOG

Please Mistress. Just a sip.

Viper takes the drink and brings it to her mouth. She nods and Dog leaves.

INT. A BEDROOM - DAY

Viper enters quietly and closes the door behind her. Slowly she moves to a dressing table and sits at it. Gently she touches some of the things and hangs her head.

She takes a key, unlocks a box and takes papers from it.

INT. A KITCHEN - NIGHT

Viper enters and Dog kneels immediately while Pill and Pot just stop what they are doing.

DOG

Dog, come with me now.

DOG

Yes Mistress.

He runs out after her.

POT

Who’d be a slave?

PILL

Bad enough being a servant.

INT. A HALLWAY - NIGHT

Viper holds a sheet of paper and secretly looks around.

VIPER

This is a map showing where mother

buried papa.

DOG

That was a long time ago Mistress.

VIPER

I want him burnt. I want no trace.

DOG

Yes madam. May I see?

Viper gives a sheet of paper to Dog.

DOG

Pardon me Mistress but perhaps Birk

should be told. He would also know

exactly where since he dug the grave.

VIPER

Do it.

EX. A WOODED AREA - DAY

Viper sits in a chair while Birk and Dog dig.

EX. A WOODED AREA - DAY

A coffin is lifted from the ground.

VIPER

Prepare a fire. We’ll do it tonight.

EX. A WOODED AREA - NIGHT

Viper, DOG and Birk stand by a huge roaring fire. Viper spits on it.

VIPER

And that’s the end of my monster.

Dog, stay until the end and make

sure his ghost doesn’t take revenge

by burning down the bloody wood.

DOG

Yes Mistress.

She begins to walk away but stops.

VIPER

Birk?

BIRK

Yes my Mistress?

A pause.

VIPER

Thank you.

And viper walks on. Birk smiles and looks at Dog.

BIRK

Thank you Mistress.

INT. AN IMPOSING DRAWING ROOM - DAY

Dog enters and kneels before Viper.

DOG

Mistress, they’re caught the

boys who killed Mistress Lilith.

They’re not in the system.

VIPER

Better for them. If they had been

slaves, I would be up for murder.

How were they caught?

DOG

The search and replace brigade.

They’ve solved cases now that. . .

VIPER

Yes, all right Dog. We’re talking

about my dead sister. Don’t get so

exited.

DOG

I’m sorry Mistress.

VIPER

Prepare the landau. I’ll go into

the village today.

DOG

I’m so pleased Mistress. Right

away Mistress.

VIPER

You’re like an old hen Dog.

DOG

Yes Mistress.

EX. AN IMPOSING DRAWING ROOM - DAY

Viper sits impatiently waiting. Dog stands to one side. A table is laid for tea. VIPER

Messages were sent?


DOG

Oh yes, Mistress. I sent them myself.

VIPER

Then call them.

DOG

Yes Mistress.

Dog picks up a keypad and presses buttons.

VIPER

No reply Mistress.

DOG

I thought they enjoyed my tea days.

DOG

I’m so sorry Mistress.

Viper walks over to the window, then to a chess set.

VIPER

Do you play?

DOG

I’ve forgotten Mistress.

Viper sits.

VIPER

Nonsense. Kneel down opposite me.

Unhappily, Dog sits and Viper moves first.

VIPER

Your turn.


INT. AN IMPOSING DRAWING ROOM - DAY

The game continues. Viper watches him.


VIPER

Where were you going that night

at the club?

DOG

Club, Mistress?

VIPER

Don’t play dumb. You know what club.



DOG

Oh, that was a long time ago

Mistress. I think I was looking

for a place to sleep.

VIPER

That was a very gallant thing

you did.

DOG

It changed my life Mistress.

VIPER

So if I hadn’t have chosen you

what would have become of you?

What was it that you wanted to do?

DOG

I’d been drawn to the messenger

services Mistress but I never

had the qualifications.

VIPER

When did you leave school?

DOG

At twelve Mistress.

VIPER

And you never knew your father?

DOG

No Mistress. I understand that he

worked in the old city as a trader

and was wealthy but lost it all

to drink and bad judgement.

VIPER

And your family then?

DOG

All dead Mistress. Mother died alone.

VIPER

She did that to you or was that me?

Dog looks at scars on his arms.

DOG

These were her doing Mistress. They’re

old.


VIPER

In the years you’ve been with me Dog,

I’ve not treated you that badly have

I?

DOG

Oh no Mistress! You’ve always been

fare.

VIPER

Yes I have. Check mate.

DOG

Yes Mistress.

VIPER

I miss Lilith Dog. What am I to do?

DOG

I, I don’t know Mistress.

Viper wipes away a tear. A RING sounds and Dog answers it. He returns with AGGY. Viper stands, delighted.

AGGY

Oh darling, I’m so sorry I’m late.

VIPER

That’s fine Aggy, please sit. Tea?

After pouring, Dog leaves the room after being casually waved away by Viper.

INT. AN IMPOSING DRAWING ROOM - DAY

Viper is weeping openly, watching rain from the window. Dog walks in on her and stands to one side, not knowing what to do. Viper turns and cries into his arms.

VIPER

I can’t seem to get her from my mind.

She was my twin and I miss her. How

am I supposed to live without her?

Dog gently sits her down.

DOG

It will pass.

VIPER

My friends don’t visit anymore.

DOG

Perhaps they feel awkward.

VIPER

But why? How do I do this alone?

DOG

I’m sorry I cannot bring her back.

Dog offers her a cloth to wipe her face.

VIPER

I remember daddy buying slaves from

outside so we could train on them.

It’s not right, her not being here.

Like not having people like you

around. An order has been broken.

My life is ruined. In pieces.

DOG

But life will always go on here.

Mistress Lilith will always be a part

of this house and of you. You are

loved by many people.

VIPER

Oh Dog, thank you. Yes, it’s silly

but I must grieve.

Viper weeps again.

DOG

I’m so sorry Mistress.

VIPER

What?

DOG

I’m so sorry Mistress. I wish

I could help.

Suddenly Viper knocks Dog away.

VIPER

Get on your knees before me. How

dare you get so familiar.

DOG

I’m sorry Mistress.


VIPER

How dare you! Get away from me. Go

and clean a toilet or something. How

dare you try to become my equal! Crawl

away now or I will flog you.

DOG

Yes Mistress. I’m sorry Mistress.

Dog leaves and Viper cries again.


EX. A FIELD IN SPRING - DAY

Viper stops her landau, pulled by two athletic slaves. Dog trots to one side.

VIPER

This will do. Stop.

Viper steps down and Dog extends a chair for her which she sits in.

VIPER

What a glorious spring day.

She points to the slaves.

VIPER

You two. Sit there and be quiet.

Dog, lay out the picnic.

DOG

Yes Mistress.

Viper pulls out a book and begins to write in it.


EX. A FIELD IN SPRING - DAY

Viper stands and walks to a brook nearby. She is enjoying the air and the day.

But she suddenly drops like a stone and Dog runs to her side.


EX. A SMALL SURGICAL ROOM - DAY

Viper awakes and SMETT, a doctor attends to her.

SMETT

Hello Viper. How are we?

VIPER

Where the hell am I? And who are you?

SMETT

You’re at the T. P. C. hospital. I’m

Dr. Smett.

VIPER

I was in my garden. What happened?

SMETT

You collapsed. Your staff bought

you here.

VIPER

I’m alright?

SMETT

I have some ugly news Viper.

VIPER

Why did I faint?

SMETT

You take Smoky Zest I believe?

VIPER

No.

SMETT

Viper. Dog has already confirmed

that you do.

VIPER

I’ll put paid to him when I’m

out.

SMETT

I don’t think you should. He probably

saved your life.

VIPER

Okay, I take Smoky Zest. Everyone

does. It’s harmless.

SMETT

Unless he had told us, we would

not have discovered what is wrong

with you and you would still be

laying face down in the water Viper.

It is not harmless. Tests have

proved that.

VIPER

My sister and I have been taking it

since we were kids doctor. Everyone

takes it.

SMETT

And to most, it seems it is harmless

but not to all. I’m sorry Viper but

you have Piper’s Detachment Syndrome.

VIPER

Oh Jesus! How sure are you?

SMETT

You’ve been here two days and I have

run every available test.

VIPER

Where’s Dog?


SMETT

He’s outside.

VIPER

Let him in.

Dog enters.

VIPER

(to Smett)

Does he know?


SMETT

Yes.

DOG

I’m so sorry Mistress.

VIPER

So this is good. This is happy.

How long do I have?

SMETT

You have to be kept in a protective environment of course and your house

will do. If it is kept flooded with

RB, then expect a year at best.

VIPER

And at worse?

SMETT

Six months. I’m sorry.

VIPER

I want a second opinion.

SMETT

Of course you do. I will arrange it.

VIPER

Can I go home?

SMETT

Soon. I have to make the travelling

arrangements. We need to suffuse the

car with RB. Dog? Will you please

come with me?

Viper waves him away and they leave.

VIPER

So, dear sister. I’m going to meet

you sooner rather than later.

Her hands shake.

INT. A CORRIDOR - DAY

Dog and the doctor talk.

DOG

Will the RB have an effect on

the rest of us?

SMETT

Slightly. Slightly calming. You

must replace the canisters every

day Dog. It is your one priority to

keep her alive.

DOG

I don’t understand why it came on all

of a sudden.

SMETT

Piper’s Detachment Syndrome is a

complex illness Dog. Do you know

what happens?

DOG

I know your D.N.A falls apart.

SMETT

No, that’s not true. It is pulled apart

by protein molecules. Before we knew

about that, we thought it was a form

of cancer. The molecules damage the

chromosomes and there’s never any symptoms

before the body undergoes a collapse.

Dog, she has a unusual death staring

at her.


DOG

I will look after her doctor.

SMETT

There will come a time when you will

no longer be able to cope. I will

visit and provide more RB but there

is little else to do.

DOG

So the Mistress must stay indoors?

SMETT

All the time. We have forced RB into

every cell in her body. She must be

surrounded by it constantly.

DOG

And if she isn’t?

SMETT

The RB is only arresting it Dog. The

disease itself is relentless. There

is no cure. Without RB she will die

within hours. Tell all her staff to

close doors.


DOG

I’ve been with her since I’ve been

fifteen doctor.

SMETT

Very commendable but you must look

around for a new Mistress unless

you ask for your D and F.

DOG

I could never do that.

INT. A CONSERVATORY - DAY

Viper is eating. Dog stands nearby with a fork and a knife.

VIPER

Dog, I never thought I would actually

need you to serve me.

DOG

Anything I can do Mistress, I will.

VIPER

You’ve been a good slave to me. I

must say. . . Dog. Where did

that name come from?


DOG

It was the name of that man’s dog

you and Mistress Lilith saw outside

that club.

VIPER

I remember now! Yes. He slipped and

fell on some dog shit. He hit the

bloody thing and called it Dog.

DOG

And I was on the floor. . .

VIPER

. . .waiting to be whipped or

something like that. We were waiting

for a taxi and Lilith gave you a

belting and I stopped her. You were

only young. I remember now.

DOG

That’s right Mistress. Fifteen.

VIPER

And you wanted to be a slave even

at that age?

DOG

Yes Mistress.

VIPER

That was twenty five years ago Dog.

DOG

Yes Mistress.

VIPER

I can’t believe I’m asking this.

What is your real name?

DOG

It’s Paul Mistress.


VIPER

Paul? No, I can’t call you that.

Dog it’s been and Dog it will be.

DOG

Yes Mistress.

INT. DOG’S BEDROOM - NIGHT.

Dog is reading and there is a KNOCK. He opens the door to Florry and they embrace.

FLORRY

Is she asleep?


DOG

Yes, an hour ago. You look tired.

FLORRY

I’ve been on my hands and knees

all day.

DOG

So nothing’s going to change now then!

FLORRY

You are common!

DOG

I am that.

His door closes.

INT. A KITCHEN - NIGHT

Pill and Pot are working.

PILL

Are you tired?

POT

Yes. Since they’ve been pushing that

crap into the house.

PILL

I feel the same. RB may be prolonging

her life but it aren't doing much for

me.

POT

I’m having the weirdest dreams.

PILL

Oh, I’m not. Sleeping too well I

think. Out like a light. The agency

called today and asked if we were

alright. They’d heard about Viper.

POT

What did you say?

PILL

I said that the place was going to

pieces. Dog is screwing Florry. Predator

visits in the afternoon and petrifies

everybody and prevents them from doing

their duties and has warned Dog

not to tell Viper on pain of a good

thrashing. The Mistress doesn’t know

what’s happening in her own house.

Her power is ebbing away.

POT

These last three weeks have certainly

been interesting.

PILL

Would you leave?

POT

If you did. Of course I would. It’s

not going to get any better here is it?

INT. DOG’S BEDROOM - NIGHT.

Dog and Florry lay naked on his bed.

DOG

I’m sorry Florry.

FLORRY

It’s alright.

DOG

It’s been a while.

FLORRY

Was you nervous?

DOG

Embarrassed more like.

FLORRY

Was I good enough? Did I do

things right?

DOG

Florry, you were lovely and I think

that’s part of the problem.

FLORRY

I’m too good? Explain.

DOG

I’ve been a slave a long time. . .

FLORRY

You didn’t get turned on? I get it.

What shall I do? Beat you?

Dog smiles.

FLORRY (con’t)

Oh come on. I can’t do that.

DOG

I know. I’m sorry.

FLORRY

I would of thought that spending

a few hours with me treating you

nicely and equally would be welcomed.

DOG

It is Florry but it’s not what I

know.

FLORRY

Can’t you get used to it then?

Try to at least?

DOG

I’ll have to try.

FLORRY

I don’t understand. I’m a slave

myself but I don’t get hung up

like this.

DOG

You chose to be a slave.

FLORRY

And you didn’t? You’re as free

as you want to be.

DOG

I’ve been in slavery all my adult

life. It’s what I know. It’s all I

know. It’s like I don’t have a

choice anymore.

FLORRY

Oh come along! You mean if you had

the credit, you wouldn’t leave here?

DOG

No, I don’t think I would.

FLORRY

I’m very fond of you Dog. You know

that and I